The Probert Encyclopaedia of General Information

HIEROGLYPHICS

Hieroglyphics (so called from the Greek hieros, sacred, and glypho, I engrave), is a term originally applied to the inscriptions sculptured on buildings in Egypt, in the belief that the writing was confined to sacred subjects, and legible only to the priests. The term has also been applied to picture-writing in general, such as that of the Mexicans and the still ruder pictures of the North American Indians.

Three different modes of writing were used by the ancient Egyptians, the Hieroglyphic, the Hieratic, and the Demotic. Pure hieroglyphic writing is the earliest, and consists of figures of material objects from every sphere of nature and art, with certain mathematical and arbitrary symbols. Next was developed the hieratic or priestly writing, the form in which most Egyptian literature is written, and in which the symbols almost cease to be recognizable as figures of objects. Hieratic writings of the third millennium BC are extant. In the demotic or enchorial writing, derived directly from the hieratic, the symbols are still more obscured. The demotic was first used in the 9th century BC, and was chiefly employed in social and commercial intercourse.

Down to the end of the 18th century scholars failed to find a clue to the hieroglyphic writings. In 1799, however, Bouchard, a French captain of engineers, discovered at Rosetta the celebrated stone which afforded European scholars a key to the language and writing of the ancient Egyptians. It contained a trilingual inscription in hieroglyphics, demotic characters, and Greek, which turned out
to be a decree of the priests in honour of Ptolemy V, issued in 195 BC. The last paragraph of the Greek inscription stated that two translations, one in the sacred and the other in the popular Egyptian language, would be found adjacent to it.

The discovery of an alphabet was the first task. The demotic part of the inscription was first examined by De Sacy and Akerblad, and the signification of a number of the symbols ascertained. The hieroglyphic part was next carefully examined and compared with the demotic and Greek. At last after much study Champollion and Dr. Thomas Young, independently of each other, discovered the method of reading the characters in 1822, and thus provided a clue to the decipherment of the ancient Egyptian writing.

Hieroglyphic characters are either ideographic, i.e. using well-known objects as symbols of conceptions, or phonetic, i.e. representing words by symbols standing for their sounds. The phonetic signs are again divided into alphabetical signs and syllabic signs. Many of the ideographic characters are simple enough; thus the figure of a man, a woman, a calf, indicate simply those objects. Others, however, are less simple, and convey their meaning figuratively or symbolically.

Water was expressed by three zigzag lines, one above the other, to represent waves or ripples of running water, milk by a milk-jar, oil by an oil-jar, fishing by a pelican seizing a fish, i.e. fishing; seeing and sight by an eye; and so on.

The nature of the phonetic hieroglyphs, which represent simply sounds are more diffuclt to explain. Characters represent sounds, thus a picture of a knee represents a K sound. A lion couchant represents the L sound. A reed represents the E sound The reed is doubled to represents the diphthong 'ai'. A noose represents the O sound. A mat represents the P sound. An eagle represents the A sound. The hand represents the T sound. A semicircle is found at the end of feminine proper names, and is the Coptic feminine article T.

The researches of Champollion satisfied him of the existence of homophones, or characters having the same phonetic value and which might be interchanged in writing proper names. The mouth, represents the R sound. The egg is found at the end of proper names of women, and is a feminine affix. The hook represents the S sound Vowels were only regarded by the Egyptians as they were needed to avoid ambiguous writing.

There are groups of hieroglyphs of which one element is an ideographic sign, to which a phonetic complement is added to indicate the pronunciation of the ideographic sign. The words of a text could be written in hieroglyphs in three ways: 1. By phonetic hieroglyphs, 2. By ideographic hieroglyphs; and 3, by a combination of both. According to Ebers, in the perfected system of hieroglyphics the symbols for sounds and syllables are to be regarded as the foundation of the writing, while symbols for ideas are interspersed with them, partly to render the meaning more intelligible, and partly for ornamental purposes, or with a view to keep up the mystic character of the hieroglyphics.
Research Hieroglyphics