|
In architecture a gable is the vertical triangular portion of the end of a building, from the level of the cornice or eaves to the ridge of the roof. The name is also, given to a similar end when not triangular in shape, as of a gambrel roof and the like. Hence the term applies to the end wall of a building, as distinguished from the front or rear side, and a decorative member having the shape of a triangular gable, such as that above a Gothic arch in a doorway.
 Research Gable
In architecture a gablet is a small gable, or gable-shaped canopy, formed over a tabernacle, niche, etc.
Research Gablet
In architecture a gain is a square or bevelled notch cut out of a girder, binding joist, or other timber which supports a floor beam, so as to receive the end of the floor beam.
Research Gain
In architecture a Galilee is a porch or waiting room, usually at the west end of an abbey church, where the monks collected on returning from processions, where bodies were laid previous to interment, and where women were allowed to see the monks to whom they were related, or to hear divine service. The name is also frequently applied to the porch of a church, as at Ely and Durham cathedrals.
Research Galilee
In architecture a gambrel roof is a curb roof having the same section in all parts, with a lower steeper slope and an upper and flatter one, so that each gable is pentagonal in form.
Research Gambrel Roof
In architecture a gargoyle is a spout projecting from the roof gutter of a building, often carved as a Grotesque figure.
Research Gargoyle
 More pictures of Gargoyle
A garret is the space immediately below the roof, such as the attic or loft in a house. The term was also formerly applied to a turret projecting from the top of a tower or from the parapet of a fortification, and used for a watch-tower.
Research Garret
Gauged lime plaster is lime plaster to which has been added a small amount of plaster of Paris to accelerate the set and to reduce shrinkage and cracking.
Research Gauged Lime Plaster
Georgian is a period of English architecture, furniture making, and decorative art between 1714 and 1830. The architecture is mainly Classical in style, although external details and interiors were often rich in Rococo carving. Furniture at this time was often made of mahogany and satinwood, and mass production became increasingly common; designers included Thomas Chippendale, George Hepplewhite, and Thomas Sheraton. The silver of this period is particularly fine, and ranges from the earlier, simple forms to the ornate, and from the Neo-Classical style of Robert Adam to the later, more decorated pre-Victorian taste. Georgian architecture features columns inspired by Classical designs, and using the Doric Order, Ionic Order and Corinthian Order. Front doors are typically panelled, large, with columns or decorations either side and a semi-circular window above. Windows were typically sash windows, tall and well proportioned, with wooden glazing bars and equal sized glass panes.
Research Georgian
Gesso is a composition of whiting and glue - sometimes plaster of Paris and glue or size - used for the execution of relief work on woodwork and plaster. Gesso can be modelled when wet and carved when dry.
Research Gesso
In architecture a girder is a main beam; a straight, horizontal beam to span an opening or carry weight, such as the ends of floor beams, etc. and hence, a framed or built-up member discharging the same office, technically called a compound girder.
The term girder is also applied in architecture to a small circular band around a column - like the steel band around an old wooden barrel (which is also called a girder).
Research Girder
In architecture a glut is an arched opening to the ash pit of a kiln.
Research Glut
In architecture a glyph is a sunken channel or groove, usually vertical.
Research Glyph
In architecture a godroon is an ornament produced by notching or carving a rounded moulding.
Research Godroon
Gold bronze is a light coloured bronze powder made from copper alloy and mainly used in decorative interior work. Gold bronze tends to tarnish unless protected by a lacquer.
Research Gold Bronze
In architecture, the gorge is the narrowest part of the Uscan and Doric capitals, lying between the astragal, above the shaft of the pillar, and the annulets.
Research Gorge
In architecture a gorgerin is a term used to describe in some columns, that part of the capital between the termination of the shaft and the annulet of the echinus, or the space between two neck mouldings.
Research Gorgerin
In architecture a gorgoneion is a mask carved in imitation of a Gorgon's head.
Research Gorgoneion
In architecture a the term Gothic refers to something off or pertaining to a style of architecture with pointed arches, steep roofs, windows large in proportion to the wall spaces, and, generally, great height in proportion to the other dimensions. The style was prevalent in Western Europe from about 1200 to 1475 and the term Gothic was applied with contempt by the architects of the renaissance period to the earlier Mediaeval architecture which they saw as clumsy and barbarian..
Research Gothic
In architecture a gradatory is a series of steps from a cloister into a church.
Research Gradatory
In architecture a gradin is any member like a step, as the raised back of an altar or the like or a set raised over another.
Research Gradin
In architecture a gradino is a step or raised shelf, as above a sideboard or altar.
Research Gradino
Graniting is the imitation of granite in paint. The work is grounded out in red or grey, and when dry is sponge stippled with black, blue-grey and green-grey, red and white colours, with the darker colours being applied first.
Research Graniting
Granulated cork is used as a wall covering in anti-condensation treatments.
Research Granulated Cork
In architecture a groin is the projecting solid angle formed by the meeting of two vaults, growing more obtuse as it approaches the summit.
Research Groin
In architecture a groined vault is a vault having groins, that is, one in which different cylindrical surfaces intersect one another, as distinguished from a barrel vault.
Research Groined Vault
In architecture a ground is a piece of wood, flush with the plastering, to which mouldings, etc.
Grounds are usually put up first and the plastering floated flush with them.
In painting and decorating, ground is a loose term applied to a surface to which paint is to be applied.
Research Ground
A ground brush (pound brush or 4/0) is a heavy, substantial painter's brush of an old-fashioned round shape with bristles projecting some fifteen centimetres beyond the binding. A ground brush spreads paint very evenly.
Research Ground Brush
In architecture a grouped columns describes three or more columns placed upon the same pedestal.
Research Grouped Columns
In decorating, a guide coat is a very thin coating of spirit colour which is applied to a surface which has been filled and levelled, in order to indicate whether the filling has been thoroughly carried out and completed, or whether there are still indentations which require filling. A guide coat is generally composed of turpentine tinted with Prussian blue or drop black and brushed onto the surface and allowed to dry. The surface is then gently sanded with a block, removing the guide coat from the surface, but not from any indentations which may still exist.
Research Guide Coat
In architecture a guilloche is an ornament in the form of two or more bands or strings twisted over each other in a continued series, leaving circular openings which are filled with round ornaments.
Research Guilloche
In architecture a gutta is one of a series of ornaments, in the form of a frustum of a cone, attached to the lower part of the triglyphs, and also to the lower faces of the mutules, in the Doric order.
Research Gutta
In architecture a gutter member is an architectural member made by treating the outside face of the gutter in a decorative fashion, or by crowning it with ornaments, regularly spaced, like a diminutive battlement.
Research Gutter Member
|
Abbreviations
Architecture
