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The Probert Encyclopaedia of Music

LA

In music, la is the syllable applied to the sixth tone of the scale in music in solmization.
Research La

LACRIMOSO

In music, lacrimoso is a directive to play in a plaintive, mournful or pathetic style.
Research Lacrimoso

LAMBADA

The lambada is an erotic dance, originating in Brazil, performed by two people who hold each other closely and gyrate their hips in synchronised movements. The term is also used to describe the music that accompanies the lambada, which combines salsa, calypso, and reggae.
Research Lambada

LAMBETH WALK

The Lambeth walk is a line dance that was popular in Britain in the 1930s.
Research Lambeth Walk

LANCERS

The lancers is a dance first introduced in Paris in 1836. It is an imitation of a military dance in which men used lances.
Research Lancers

LANDLER

A landler is an Austrian peasant dance, similar to a slow waltz. The name is also given to the music played for the dance.
Research Landler

LANGUENTE

In music, languente is a directive to play in a languishing manner or pathetically.
Research Languente

LARGHETTO

In music, larghetto is a directive to play somewhat slowly, but not so slowly as largo, and rather more so than andante.
Research Larghetto

LARGO

In music, largo is a directive to play slowly. More so than adagio and next in slowness to grave.
Research Largo

LAUD

The laud is a Spanish flat backed lute with twelve metal strings in six courses and a pear-shaped body.
Research Laud

LEADING MOTIVE

In music, a leading motive is a guiding theme. In the music drama of Wilhelm Wagner, a leading motive is a marked melodic phrase or short passage which always accompanies the reappearance of a certain person, situation, abstract idea, or allusion in the course of the play forming a sort of musical label.
Research Leading Motive

LEADING NOTE

In music the leading note is the seventh note or tone in the ascending major scale, the sensible note.
Research Leading Note

LEAP

In music a leap is a passing from one note to another by an interval, especially by a long one, or by one including several other and intermediate intervals.
Research Leap

LEDGER LINE

In music a ledger line is a line added above or below the staff to extend its compass.
Research Ledger Line

LEGATO

Legato is a term in music signifying that the passage must be played very smoothly, the notes succeeding each other with the least possible break.
Research Legato

LEGGIADRO

In music, leggiadro is a directive to play in a light, delicate, and brisk style.
Research Leggiadro

LENTAMENTE

In music, lentamente means slowly or in slow time.
Research Lentamente

LENTANDO

In music, lentando means slackening or retarding.
Research Lentando

LENTO

In music, lento means slow or in slow time.
Research Lento

LIBRETTO

In music, a libretto is a book containing the words of an opera or extended piece of music.
Research Libretto

LIEDERKRANZ

Liederkranz (wreath of songs) is the title of a group of songs, and is the common name for German vocal clubs of men.
Research Liederkranz

LIEDERTAFEL

A liedertafel is a society or club which meets for the practice of male part songs.
Research Liedertafel

LIGATURE

In music a ligature is a curve or line connecting notes, thereby forming a slur.
Research Ligature

LOCO

In music, loco is a direction in written or printed music to return to the proper pitch after having played an octave higher.
Research Loco

LOJKI

The lojki are Russian wooden spoons played as a percussion instrument.
Research Lojki

LUTE

Picture of Lute

The lute is a family of stringed musical instruments that were in use during the 14th to 18th centuries. The lute had a pear-shaped convex back built up of staves of various kinds of wood, a flat breast - usually of pine - a bridge, a fretted finger-board, and strings tuned in pairs of unisons and from one to three sound holes in the breast. Lutes were played by plucking the strings with the thumb and fingers.
Research Lute

LYRE

Picture of Lyre

The lyre was an ancient musical stringed instrument of Eastern origin. It consisted of a hollow resonant body, from each end of which rose a gracefully curved horn-shaped arm, turning out towards the top. The upper parts of the two arms were connected by a cross-bar, to which the strings were attached; and the latter, after passing over a bridge resting on the body, had their lower ends fastened to the bottom of the instrument. The strings, varying in number from three to eighteen, were sounded by being struck with a plectrum held in the right hand, while the fingers of the left hand checked the vibrations of those strings required to be silent. The Greek cithara was a large form of lyre.
Research Lyre

 
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