Byzantine art is the symbolic system which was developed by the early Greek or Byzantine artists out of the Christian symbolism. Byzantine Art arose in South-eastern Europe after Constantine the Great had made Byzantium the capital of the Roman Empire in 330 AD and ornamented that city, which was called after him, with all the treasures of Grecian art.
One of the chief influences in Byzantine art was Christianity, and to a certain extent Byzantine art may be recognized as the endeavour to give expression to the new elements which Christianity had brought into the life of men. The tendency towards Oriental luxuriance and splendour of ornament now quite supplanted the simplicity of ancient taste. Richness of material and decoration was the aim of the artist rather than purity of conception. Yet the classical ideals of art, and in particular the traditions of technical processes and methods carried to Byzantium by the artists of the Western Empire, held their ground long enough, and produced work pure and powerful enough, to kindle the new artistic life which began in Italy with Cimabue and Giotto.
With regard to sculpture the statues no longer displayed the freedom and dignity of ancient art. The true proportion of parts, the correctness of the outlines, and in general
the severe beauty of the naked figure, or of simple drapery in Greek art, were neglected for extravagant costume and ornamentation and petty details. Yet in the best period of Byzantine art, from the 6th to the 11th century, there is considerable spiritual dignity in the general conception of the figures. But sculpture was of second-rate importance at Byzantium, the taste of those times inclining more to mosaic work with the costliness and brilliant colours of its stones.
The first germ of a Christian style of art was developed in the Byzantine pictures. The artists, who appear to have seldom employed the living model, and had nothing real and material before them, but were obliged to find, in their own imaginations, conceptions of the external appearance of sacred persons, such as the mother of Christ or the apostles, could give but feeble renderings of their ideas. As they cared but little for a faithful imitation of nature, but were
satisfied with repeating what was once acknowledged as successful, it is not strange that certain forms, approved by the taste of the time, should be made, by convention, and without regard to truth and beauty, general models of the human figure, and be transmitted as such to succeeding times. In this way the artists in the later periods did not even aim at accuracy of representation, but were contented with stiff general outlines, lavishing their labour on ornamental parts.
Byzantine architecture may be said to have assumed its distinctive features in the church of St Sophia built by Justinian in the 6th century, and still existing as the chief mosque in Constantinople. It is more especially the style associated with the Greek Church as distinguished from the Roman.
The leading forms of the Byzantine style are the round arch, the circle, and in particular the dome. The last is the most conspicuous and characteristic object in Byzantine buildings, and the free and full employment of it was arrived at when by the use of pendentives the architects were enabled to place it on a square apartment instead of a circular or polygonal. In this style of building incrustation, the incrustation of brick with more precious materials, was largely in use. It depended much on colour and surface ornament for its effect, and with this intent mosaics wrought on grounds of gold or of positive colour are profusely introduced, while coloured marbles. and stones of various kinds are greatly made use of. The capitals are of peculiar and original design, the most characteristic being square and tapering downwards, and they are very varied in their decorations.
Byzantine architecture may be divided into an older and a newer (or Neo-Byzantine) style. The most distinctive feature of the latter ia that the dome is raised on a perpendicular circular or polygonal piece of masonry (technically the drum) containing windows for lighting the interior, while in the older style the light was admitted by openings in the dome itself. The Cathedral of Athens is an example of the Neo-Byzantine style.
Freemasonry is a term applied to the organization of a society calling themselves free and accepted masons, and all the mysteries therewith connected. This society, if we can reckon as one a number of societies, many of which are unconnected with each other, though they have the same origin and a great similarity in their constitution, extends over almost all parts of the globe, and is consequently of the greatest service to travellers who are members of the craft. According to its own peculiar language it. is founded on the practice of social and moral virtue. It claims the character of charity in the most extended sense; and brotherly love, relief, and truth are inculcated in it. Fable and imagination have traced back the origin of freemasonry to the Roman Empire, to the Pharaohs, the temple of Solomon, the Tower of Babel, and even to the building of Noah's ark. In reality it took its rise in the middle ages along with other incorporated crafts. Skilled masons moved from place to place to assist in building the magnificentsacred structures - cathedrals, abbeys, etc - which had their origin in these times, and it was essential for them to have some signs by which, on coming to a strange place, they could be recognized as real craftsmen and not impostors.
Freemasonry in its modified and more modern form dates only from the 17th century. The modern ritual is said to have been partly borrowed from the Rosicrucians and knights templars, and partly devised by Elias Ashmole, the founder of the Ashmolean Museum. Freemasonry, thus modified, soon began to spread over the world. In 1725 it was introduced into France by Lord Berwentwater; and in 1733 the first American lodge was established. The United Grand Lodge of England recognizes only two species of Freemasonry - the Craft and the Royal Arch; Scotch, Irish, American, and Continental lodges acknowledge higher degrees; but these, with the exception of the Mark Degree and not universal. In ordinary freemasonry there are three grades - those of apprentice, fellow-craft and master-mason - each of which has its peculiar initiation ceremonies; the last of these grades, however, is necessary to the attainment of the full rights and privileges of brotherhood.
At the end of the 20th century the Freemasonry were linked national organisations open to men and women over 21, united by the possession of a common code of morals and beliefs, and of certain traditional 'secrets'. Apart from requiring a belief in the ' Great Architect of the Universe' and acceptance of its moral code, English Freemasons maintain strict impartiality in politics and religion.
Freemasonry assumed a political and anticlerical character; it has been condemned by the papacy, and in certain countries was suppressed by the State. Both in Britain and the USA the freemasons maintain hospitals and institutions for their sick or aged members, and schools for their orphans. Research Freemasonry
The black poplar (Populus nigra) is a large deciduous tree native to Britain, with spreading branches that arch downwards, and a brown, later greyish- black coloured, deeply furrowed bark. The leaves are alternate and serrate and are triangular-ovate with a wedge-like base and flattened petioles. The reddish-brown coloured axillary buds are long and sticky and curve upwards at the tip. Black poplar is dioecious, with crimson coloured male and green coloured female flowers arranged in catkins that open in early spring before the leaves appear. The fruit is a capsule which releases seeds with a white pappus. Research Black Poplar
Feathers are the form which the dermal appendages assume in birds, agreeing in mode of development, but differing in form from hairs and scales. The feather consists of a stem, horny, round, strong, and hollow in the lower part, called the quill, and in the upper part, called the shaft, filled with pith. On each side of the shaft is a web composed of a series of regularly-arranged fibres called barbs. The barbs and shaft constitute the vane. On the edges of the barbs are set the barbules, which interlock with those of adjacent barbs, and thus give strength to the vane.
Feathers are generally divided into two kinds, quill feathers in the wing or tail, and plumes or clothing feathers generally diffused. The feathers of birds are periodically changed, generally once, but in some species twice a year. This is called moulting. When feathers have reached their full growth they become dry, and only the tube, or the vascular substance which it contains, continues to absorb moisture or fat. When, therefore, part of a feather is cut off, it does not grow out again;
and a bird whose wings have been clipped remains in that situation until the next moulting season, when the old stumps are shed and new feathers grow out. If, however, the stumps are pulled out sooner the feathers will be renewed in a few weeks or even days.
The feather is a very strong formation, not readily damaged, the arch of the shaft resisting pressure, while the web and fine fibres yield without suffering. Being a bad conductor of heat it preserves the high temperature of the bird, while it is so light as to be easily carried in flight. It is rendered almost impervious to wet by the oily fluid which most birds secrete at the base of the tail. Feathers traditionally formed a considerable article of commerce, particularly those of the ostrich, heron, swan, peacock, goose, etc, for plumes, ornaments, filling of beds, pens, etc. Research Feather
The yew (Taxus) is a genus of evergreen trees of the family taxaceae. The Yew has an irregular and twisted trunk that bears a purplish-brown bark. The wood is tough and resilient, helping to resist rotting. Its needles, which are flat and flexible, are dark green on top and light green underneath. They also arch downward and have two white bands on the bottom side of their needles. It was sacred to the ancient pagan religion of Britain. Research Yew
Count Alesandro Cagliostro (real name Giuseppe Balsamo) was an Italian con-man. He was born in 1743 at Palermo and died in 1796. He was the son of poor parents, and entered the order of the Brothers of Mercy, where he acquired a knowledge of the elements of chemistry and physics. He left, or had to leave the order, and committed so many crimes in Palermo that he was obliged to abscond. He subsequently formed a connection with Lorenza Feliciani, whose beauty, ability, and want of principle made her a valuable accomplice in his frauds. With her he travelled through many countries, assuming other names besides that of Count Cagliostro, pretending to have supernatural powers, and wringing considerable sums from those who became his dupes. In England he established an order of what he called Egyptian Masonry, in which, as grand kophta, he pretended to foretell the future, and made many dupes among the higher classes.
In Paris he was implicated in the affair of the diamond necklace, which caused so great a scandal in the reign of Louis XVI, and was imprisoned in the Bastile, but escaped by means of his matchless impudence. He afterwards visited England, but met with little success. In 1789 he revisited Rome where he busied himself about freemasonry;
but being discovered, and committed to the Castle of St Angelo, he was condemned by a decree of the pope to imprisonment for life as a freemason, an arch-heretic, and a very dangerous foe to religion. He died in prison in 1795. Research Count Alesandro Cagliostro
Edward Hodges Baily was an English sculptor. He was born in 1788 at Bristol and died in 1867. He became a pupil of Flaxman in 1807, gained the Academy Gold Medal in 1811, and was elected R.A. in 1821. His principal works are: Eve at the Fountain; Eve Listening to the Voice; Maternal Affection; Girl Preparing for the Bath; The Graces, etc. The bas-reliefs on the south side of the Marble Arch, Hyde Park, the statue of Nelson on the Trafalgar Squaremonument, and other public works, were by him. Research Edward Baily
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Abbreviations
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