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Research Results For 'Canopy'

HERSE

A herse or hearse was oriiginally a framework whereon lighted candles were placed at the obsequies of distinguished persons. The funeral herse of the middle ages was a temporary canopy
covered with wax-lights, and set up in the church; the coffin was placed under the herse during the funeral ceremonies. Sometimes it was a very elaborate structure. The name has been transferred to the modern carriage for bearing a dead body to the grave.
Research Herse

HOWDAH

A howdah is a canopy, or seat fixed on the back of an elephant.
Research Howdah

TESTER

A tester is the canopy over a four-poster bed.
Research Tester

TOURNAMENT

Picture of Tournament

A tournament was originally an exhibition of combat between mounted men. Named from the tournament, or quick turning of the horses, it appeared in Europe in the 11th century, and quickly grew in popularity, both in France and England, where, in the reign of Henry II, it became necessary to prohibit tournaments owing to extravagant indulgence in them by the younger nobility. Later, tournaments were allowed to be held under royal licence, und a classic account of one in the time of Richard I is given in the book Ivanhoe, in which the customs and rules of such assemblies are graphically indicated. Froissart is also a mine of information regarding tournaments.

The essential feature of a tournament was the single combat of knight with knight, each striving to unhorse or incapacitate his opponent, the usual weapon being the lance. Sometimes, however, one body of knights fought against another body. They took place on most occasions of rejoicing.

Participation in tournaments was usually reserved for those of noble birth, and about the end of the 13th century a new set of rules was embodied in a statute of arms for tournaments, which laid down, among other provisions, that disputes arising out of a tournament were to be settled by a court of honour composed of princes and earls. By the 16th century the tournament had degenerated until it was merely a form of pageant. The term is now applied to many kinds of athletic contests.

In the 18th century novel Ivanhoe, the author, Walter Scott describes the arena and audience of a fictional 12th century tournament as follows:

On the verge of a wood, which approached to within a mile of the town of Ashby, was an extensive meadow, of the finest and most beautiful green turf, surrounded on one side by the forest, and fringed on the other by straggling oak-trees, some of which had grown to an immense size. The ground, as if fashioned on purpose for the martial display which was intended, sloped gradually down on all sides to a level bottom, which was enclosed for the lists with strong palisades, forming a space of a quarter of a mile in length, and about half as broad. The form of the enclosure was an oblong square, save that the corners were considerably rounded off, in order to afford more convenience for the spectators. The openings for the entry of the combatants were at the northern and southern extremities of the lists, accessible by strong wooden gates, each wide enough to admit two horsemen riding abreast. At each of these portals were stationed two heralds, attended by six trumpets, as many pursuivants, and a strong body of men-at-arms for maintaining order, and ascertaining the quality of the knights who proposed to engage in this martial game.

On a platform beyond the southern entrance, formed by a natural elevation of the ground, were pitched five magnificent pavilions, adorned with pennons of russet and black, the chosen colours of the five knights challengers. The cords of the tents were of the same colour. Before each pavilion was suspended the shield of the knight by whom it was occupied, and beside it stood his squire, quaintly disguised as a salvage or silvan man, or in some other fantastic dress, according to the taste of his master, and the character he was pleased to assume during the game. The central pavilion, as the place of honour, had been assigned to Brian be Bois-Guilbert, whose renown in all games of chivalry, no less than his connexions with the knights who had undertaken this Passage of Arms, had occasioned him to be eagerly received into the company of the challengers, and even adopted as their chief and leader, though he had so recently joined them. On one side of his tent were pitched those of Reginald Front-de-Boeuf and Richard de Malvoisin, and on the other was the pavilion of Hugh de Grantmesnil, a noble baron in the vicinity, whose ancestor had been Lord High Steward of England in the time of the Conqueror, and his son William Rufus. Ralph de Vipont, a knight of St John of Jerusalem, who had some ancient possessions at a place called Heather, near Ashby-de-la-Zouche, occupied the fifth pavilion. From the entrance into the lists, a gently sloping passage, ten yards in breadth, led up to the platform on which the tents were pitched. It was strongly secured by a palisade on each side, as was the esplanade in front of the pavilions, and the whole was guarded by men-at-arms. The northern access to the lists terminated in a similar entrance of thirty feet in breadth, at the extremity of which was a large enclosed space for such knights as might be disposed to enter the lists with the challengers, behind which were placed tents containing refreshments of every kind for their
tion, with armourers, tarriers, and other attendants, in readiness to give their services wherever they might be necessary.

The exterior of the lists was in part occupied by temporary galleries, spread with tapestry and carpets, and accommodated with cushions for the convenience of those ladies and nobles who were expected to attend the tournament. A narrow space, betwixt these galleries and the lists, gave accommodation for yeomanry and spectators of a better degree than the mere vulgar, and might be compared to the pit of a theatre. The promiscuous multitude arranged themselves upon large banks of turf prepared for the purpose, which, aided by the natural elevation of the ground, enabled them to overlook the galleries, and obtain a fair view into the lists. Besides the accommodation which these stations afforded, many hundreds had perched themselves on the branches of the trees which surrounded the meadow; and even the steeple of a country church, at some distance, was crowded with spectators.

It only remains to notice respecting the general arrangement, that one gallery in the very centre of the eastern side of the lists, and consequently exactly opposite to the spot where the shock of the combat was to take place, was raised higher than the others, more richly decorated, and graced by a sort of throne and canopy, on which the royal arms were emblazoned. Squires, pages, and yeomen in rich liveries, waited around this place of honour, which was designed for Prince John and his attendants. Opposite to this royal gallery was another, elevated to the same height, on the western side of the lists; and more gaily, if less sumptuously decorated, than that destined for the Prince himself. A train of pages and of young maidens, the most beautiful who could be selected, gaily dressed in fancy habits of green and pink, surrounded a throne decorated in the same colours. Among pennons and flags bearing wounded hearts, burning hearts, bleeding hearts, bows and quivers, and all the commonplace emblems of the triumphs of Cupid, a blazoned inscription informed the spectators, that this seat of honour was designed for 'La Royne de las Beaulte et des Amours'. But who was to represent the Queen of Beauty and of Love on the present occasion no one was prepared to guess.

Meanwhile, spectators of every description thronged forward to occupy their respective stations, and not without many quarrels concerning those which they were entitled to hold. Some of these were settled by the men-at-arms with brief ceremony; the shafts of their battle-axes, and pummels of their swords, being readily employed as arguments to convince the more refractory. Others, which involved the rival claims of more elevated persons, were determined by the heralds, or by the two marshals of the field, William de Wyvil, and Stephen de Martival, who, armed at all points, rode up and down the lists to enforce and preserve good order among the spectators.

Gradually the galleries became filled with knights and nobles, in their robes of peace, whose long and rich-tinted mantles were contrasted with the gayer and more splendid habits of the ladies, who, in a greater proportion than even the men themselves, thronged to witness a sport, which one would have thought too bloody and dangerous to afford their sex much pleasure. The lower and interior space was soon filled by substantial yeomen and burghers, and such of the lesser gentry, as, from modesty, poverty, or dubious title, durst not assume any higher place. It was of course amongst these that the most frequent disputes for precedence occurred.

Walter Scott goes on to describe the rules of the tournament, which he says were imparted to the audience by the monarch:

First, the five challengers were to undertake all comers.

Secondly, any knight proposing to combat, might, if he pleased, select a special antagonist from among the challengers, by touching his shield. If he did so with the reverse of his lance, the trial of skill was made with what were called the arms of courtesy, that is, with lances at whose extremity a piece of round flat board was fixed, so that no danger was encountered, save from the shock of the horses and riders. But if the shield was touched with the sharp end of the lance, the combat was understood to be at 'outrance', that is, the knights were to fight with sharp weapons, as in actual battle.

Thirdly, when the knights present had accomplished their vow, by each of them breaking five lances, the Prince was to declare the victor in the first day's tourney, who should receive as prize a warhorse of exquisite beauty and matchless strength; and in addition to this reward of valour, it was now declared, he should have the peculiar honour of naming the Queen of Love and Beauty, by whom the prize should be given on the ensuing day.

Fourthly, it was announced, that, on the second day, there should be a general tournament, in which all the knights present, who were desirous to win praise, might take part; and being divided into two bands of equal numbers, might fight it out manfully, until the signal was given by Prince John to cease the combat. The elected Queen of Love and Beauty was then to crown the knight whom the Prince should adjudge to have borne himself best in this second day, with a coronet composed of thin gold plate, cut into the shape of a laurel crown. On this second day the knightly games ceased. But on that which was to follow, feats of archery, of bull-baiting, and other popular amusements, were to be practised, for the more immediate amusement of the populace.

Walter Scott describes a jousting combat between the champions of the same tournament thus:

At the flourish of clarions and trumpets, they started out against each other at full gallop; and such was the superior dexterity or good fortune of the challengers, that those opposed to Bois-Guilbert, Malvoisin, and Front-de-Boeuf, rolled on the ground. The antagonist of Grantmesnil, instead of bearing his lance-point fair against the crest or the shield of his enemy, swerved so much from the direct line as to break the weapon athwart the person of his opponent - a circumstance which was accounted more disgraceful than that of being actually unhorsed; because the latter might happen from accident, whereas the former evinced awkwardness and want of management of the weapon and of the horse. The fifth knight alone maintained the honour of his party, and parted fairly with the Knight of St John, both splintering their lances without advantage on either side.

The shouts of the multitude, together with the acclamations of the heralds, and the clangour of the trumpets, announced the triumph of the victors and the defeat of the vanquished. The former retreated to their pavilions, and the latter, gathering themselves up as they could, withdrew from the lists in disgrace and dejection, to agree with their victors concerning the redemption of their arms and their horses, which, according to the laws of the tournament, they had forfeited. The fifth of their number alone tarried in the lists long enough to be greeted by the applauses of the spectators, amongst whom he retreated, to the aggravation, doubtless, of his companions' mortification.

During intervals of the tournament it appears that heralds inspired the contestants and audience by announcements and chants inspiring chivalry and bravery such as:
'Love of ladies, splintering of lances! stand forth gallant knights, fair eyes look upon your deeds!'
Research Tournament

UMBRELLA

An umbrella is a light, portable screen usually circular and supported on a central stick. They are used as protection against the rain and also sun - in which case they are usually refered to as a sunshade or parasol. Umbrellas are made of fabric, silk, paper, cotton or other materials stretched on a steel or wooden, radiating, folding frame supported on a central stick.

Umbrellas were known in England in the 17th century, but their use does not appear to have been general until the later part of the 18th century, Jonas Hanway being one of the first to make a habit of acrrying an umbrella.
By the invention of the 'Paragon' ribs, Samuel Fox, in 1852, improved upon the old umbrellas with wooden ribs, and did much tostimulate the trade of umbrella, making, among the chief centres of which were London, Manchester, Paris, Lyons, and Angers.

In the East, umbrellas were used as symbols of royalty and power from early times. In ancient Egypt and Nineveh sculptured remains show them carried in procession, and they are found pictured on Greek vases. Anglo-Saxon manuscripts show them carried by attendants over persons of rank. The Maratha princes of India were known as Lords of the Umbrella, and in Burma white umbrellas were reserved for the use of the king and the sacred white elephant; coloured ones, graduated according to their tint, belonged to corresponding grades in rank. The baldachin , the canopy of a throne or a pulpit, has the same original symbolical meaning as the umbrella.
Research Umbrella

EUCOMIS

Eucomis is a genus of bulbous liliaceous plants, natives of South Africa, characterized by a rosette of long radical leaves, from the centre of which proceeds in late summer, a sturdy spike of greenish flowers, surmounted by a canopy of leaf-like bracts.
Research Eucomis

IRVIN-GQ LLRP

Picture of Irvin-GQ LLRP

The Irvin-GQ LLRP is a British, low profile, chest-mounted, reserve parachute assembly designed as a back-up parachute system for use with troop parachutes at altitudes as low as 250 feet. The Irvin-GQ LLRP features an aeroconical canopy and has a minimum deployment altitude of 250 feet (76 meters) and can cope with a suspended weight of 260 kg. The parachute provides a rate of descent of about 6.9 metres per second, depending upon the suspended weight, and the total assembly weighs 6.9 kg.
Research Irvin-GQ LLRP

BELALANG

Picture of Belalang

The NU-85 Belalang is an Indonesian two-seater primary trainer aircraft developed as a modification of the Piper Club L-4J aircraft, and first flown in 1958. The Belalang is a low-wing rigidly-braced monoplane powered by a Continental C85-12 four-cylinder horizontally-opposed air-cooled engine providing a top speed of 184 kmh and a range of 560 km. A later A model was fitted with a sliding canopy and powered by a Continental O-200-A four-cylinder horizontally-opposed air-cooled engine providing a top speed of 184 kmh and a range of 560 km.
Research Belalang

BUJON-CROSES B-EC 7

Picture of Bujon-Croses B-EC 7

The Bujon-Croses B-EC 7 Tout-Terrain is a French three-seater, tandem-wing light aircraft and air ambulance developed from the Croses EC-6, with a longer fuselage, more powerful engine, increased wing-span and a more extensively glazed canopy. The Bujon-Croses B-EC 7 is powered by a Continental four-cylinder horizontally-opposed air-cooled engine providing a top speed of 220 kmh.The Bujon-Croses B-EC 7 is fitted with non-retractable tail-wheel type landing gear providing the ability to land and take-off from rough terrain.
Research Bujon-Croses B-EC 7

JUNKERS JU 188

Picture of Junkers Ju 188

The Junkers Ju 188 was a German four-seat medium bomber of the Second World War. The Junkers Ju 188E-1 was powered by two 1700 hp BMW 801D-2 14-cylinder radial piston engines providing a top speed of 500 kmh and a range of 1945 km. Armaments consisted of one forward firing 20 mm MG 151 cannon in the nose, a 13 mm MG 131 machine-gun in the dorsal turret, a 13 mm MG 131 machine-gun in the rear of the cockpit canopy and a rearward-firing 7.92 mm MG 81 machine-gun in the lower front fuselage, and a bomb load of 3000 kg.
Research Junkers Ju 188

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