An abbey is a monastery or religious community of the highest class, governed by an abbot, assisted generally by a prior, sub-prior, and other subordinate functionaries; or, in the case of a female community, superintended by an abbess. An abbey invariably included a church. A priory differed from an abbey only in being scarcely so extensive an establishment, and was governed by a prior. In the English conventual cathedral establishments, as Canterbury, Norwich, Ely, etc, the archbishops or bishops held the abbot's place, the immediate governor of the monastery being called a prior.
Some priories sprang originally from the more important abbeys, and remained under the jurisdiction of the abbots; but subsequently any real distinction between abbeys and priories was lost. The greater abbeys formed most complete and extensive establishments, including not only the church and other buildings devoted to the monastic life and its daily requirements, such as the refectory or eating-room, the dormitories or sleeping-rooms, the room for social intercourse, the school for novices, the scribes' cells, library, and so on; but also workshops, storehouses, mills, cattle and poultry sheds, dwellings for artisans, labourers, and other servants, infirmary, guest-house, etc. Among the most famous abbeys on the continent of Europe were those of Cluny, Clairvaux, and Citeaux in France; St Galle in Switzerland, and Pulda in Germany; the most noteworthy English abbeys were those of Westminster, St Mary's of York, Fountains, Kirkstall, Tintern, Rievaulx, Netley; and of Scotland, Melrose, Paisley, and Arbroath. Research Abbey
The Bayeux-tapestry is a tapestry preserved in the Cathedral of Bayeux, representing the events in William of Normandy's conquest of England. It is thought to have been wrought by his queen, Matilda, and to have been presented by Odo, bishop of Bayeux, the half-brother of William, to the church in which it was found. It is 214 feet in length and 20 inches in breadth, and is divided into seventy-two compartments, the subject of each scene being indicated by a Latin inscription. These scenes give a pictorial history of the invasion and conquest of England by the Normans, beginning with Harold's visit to the Norman court, and ending with his death at Hastings. Research Bayeux-Tapestry
Formerly in England a boy-bishop was a boy chosen by cathedral choirs or pupils in grammar-schools as a mock-bishop to take leading parts in certain mummeries or festivities in the month of December annually. Research Boy-Bishop
Byzantine art is the symbolic system which was developed by the early Greek or Byzantine artists out of the Christian symbolism. Byzantine Art arose in South-eastern Europe after Constantine the Great had made Byzantium the capital of the Roman Empire in 330 AD and ornamented that city, which was called after him, with all the treasures of Grecian art.
One of the chief influences in Byzantine art was Christianity, and to a certain extent Byzantine art may be recognized as the endeavour to give expression to the new elements which Christianity had brought into the life of men. The tendency towards Oriental luxuriance and splendour of ornament now quite supplanted the simplicity of ancient taste. Richness of material and decoration was the aim of the artist rather than purity of conception. Yet the classical ideals of art, and in particular the traditions of technical processes and methods carried to Byzantium by the artists of the Western Empire, held their ground long enough, and produced work pure and powerful enough, to kindle the new artistic life which began in Italy with Cimabue and Giotto.
With regard to sculpture the statues no longer displayed the freedom and dignity of ancient art. The true proportion of parts, the correctness of the outlines, and in general
the severe beauty of the naked figure, or of simple drapery in Greek art, were neglected for extravagant costume and ornamentation and petty details. Yet in the best period of Byzantine art, from the 6th to the 11th century, there is considerable spiritual dignity in the general conception of the figures. But sculpture was of second-rate importance at Byzantium, the taste of those times inclining more to mosaic work with the costliness and brilliant colours of its stones.
The first germ of a Christian style of art was developed in the Byzantine pictures. The artists, who appear to have seldom employed the living model, and had nothing real and material before them, but were obliged to find, in their own imaginations, conceptions of the external appearance of sacred persons, such as the mother of Christ or the apostles, could give but feeble renderings of their ideas. As they cared but little for a faithful imitation of nature, but were
satisfied with repeating what was once acknowledged as successful, it is not strange that certain forms, approved by the taste of the time, should be made, by convention, and without regard to truth and beauty, general models of the human figure, and be transmitted as such to succeeding times. In this way the artists in the later periods did not even aim at accuracy of representation, but were contented with stiff general outlines, lavishing their labour on ornamental parts.
Byzantine architecture may be said to have assumed its distinctive features in the church of St Sophia built by Justinian in the 6th century, and still existing as the chief mosque in Constantinople. It is more especially the style associated with the Greek Church as distinguished from the Roman.
The leading forms of the Byzantine style are the round arch, the circle, and in particular the dome. The last is the most conspicuous and characteristic object in Byzantine buildings, and the free and full employment of it was arrived at when by the use of pendentives the architects were enabled to place it on a square apartment instead of a circular or polygonal. In this style of building incrustation, the incrustation of brick with more precious materials, was largely in use. It depended much on colour and surface ornament for its effect, and with this intent mosaics wrought on grounds of gold or of positive colour are profusely introduced, while coloured marbles. and stones of various kinds are greatly made use of. The capitals are of peculiar and original design, the most characteristic being square and tapering downwards, and they are very varied in their decorations.
Byzantine architecture may be divided into an older and a newer (or Neo-Byzantine) style. The most distinctive feature of the latter ia that the dome is raised on a perpendicular circular or polygonal piece of masonry (technically the drum) containing windows for lighting the interior, while in the older style the light was admitted by openings in the dome itself. The Cathedral of Athens is an example of the Neo-Byzantine style.
A custodia is a shrine of precious metal in the shape of a cathedral, in which the host or the relics of a saint are carried in procession on certain solemn occasions. Research Custodia
Embalming is the process of filling and surrounding with aromatic and antiseptic substances any bodies, particularly corpses, in order to preserve them from corruption. The ancient Egyptians employed the art on a great scale, and other peoples, for example the Assyrians and Persians, followed them, but by no means equalled them in it. The ancient Peruvians appear to have injected and washed the corpses with the fluid that flows from imperfectly burned wood, which would of course contain pyroligneous acid, creosote, and other antiseptics. Pliny alludes to the use of a similar fluid by the Egyptians for embalming. In later times bodies have been preserved, a long time by embalming, especially when they have remained at a low and uniformtemperature, and have been protected from the air. The body of Edward I was buried in WestminsterAbbey in 1307, and in 1770 was found entire. Canute died in 1036; his body was found very fresh in 1776 in WinchesterCathedral. The bodies of William the Conqueror and of Matilda his wife were found entire at Caen in the 16th century. Of the various later artificial means of preserving bodies, impregnation with corrosive sublimate appears to be one of the most effective, next to immersion in spirits. An injection of sulphate of zinc into the bloodvessels is said to be very effective. Research Embalming
The Exeter Book or Codex Exoniensis is a folio given by Bishop Leofric to the library of his cathedral between 1046 and 1073, and dating probably from the first half of the same century. It contains some thirty-three poems including: Cynewulf's poems Crist and Juliana, Guthlac, Azarias, Widsith. Research Exeter Book
A faldstool is a reading-desk used in Anglican and Roman Catholic churches during certain portions of the service. A kneeling shelf is attached to the lower part.
Originally a faldstool was a folding stool, or portable seat, made to fold up in the manner of a camo stool. It was formerly placed in the choir for a bishop, when he officiated in any but his own cathedralchurch. The term is also used to describe a small stool employed in the coronation service for the use of the sovereign when being crowned. Research Faldstool
The Screw Plot was an alleged plot to kill Queen Anne and her entourage in 1708. The allegation was that the plotters removed certain screws and bolts from the beams of St Paul's Cathedral so that while the Queen was attending a thanksgiving service, the roof might fall and kill her and her close supporters. Research Screw Plot
The Probert Encyclopaedia was designed, edited and programed by
Matt and Leela Probert
Abbreviations
Research Abbey
