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Research Results For 'Chariot'

BIGA

The biga was an ancient Roman two-horse chariot.
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CHARIOT

Picture of Chariot

Chariot is a term applied to horse-drawn vehicles used both for pleasure and in war. Ancient chariots, such as those used among the Egyptians, Assyrians, Greeks, and Romans, were of various forms. A common form was open behind and closed in front, and had only two wheels.

The chariot was strongly and even elegantly built, but not well adapted for speed. In ancient warfare chariots were of great importance; thus we read of the 900 iron chariots of Sisera, as giving him a great advantage against the Israelites. The Philistines in their war against Saul had 30,000 chariots.


The sculptures of ancient Egypt show that the chariots formed the strength of the Egyptian army, these vehicles being two - horsed and carrying the driver and the warrior, sometimes a third man, the shield-bearer. There is no representation of Egyptian soldiers on horseback, and consequently when Moses in his song of triumph over Pharaoh speaks of the horse and his rider, rider must be understood to mean chariot-rider. In the Egyptian chariots the framework, wheels, pole, and yoke were of wood, and the fittings of the inside, the bindings of the framework, as well as the harness were chiefly of raw hide or of tanned leather.

We have also numbers of sculptures which give a clear idea of the Assyrian chariots. These resembled the Egyptian in all essential features, containing almost invariably three men - the warrior, the shield-bearer, and the charioteer. A peculiarity of both is the quiver or quivers full of arrows attached to the side. The Assyrian war-chariot was drawn by three horses abreast, and all the appointments were rich and elaborate. It had two quivers crossing each other on the side, filled with arrows, and each also containing a small axe. A socket for holding the spear was also attached. From the front of the chariot a singular ornamental appendage stretched forward.

War-chariots had sometimes scythe-like weapons attached to each extremity of the axle, as among the ancient Persians and Britons. Among the Greeks and Romans chariot-races were common.

In Britain the name chariot was formerly given to a kind of light travelling carriage.
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CIRCUS

Among the Romans, a circus was a nearly rectangular building without a roof, in which public chariot-races and exhibitions of pugilism and wrestling, etc, took place. It was rectangular, except that one short side formed a half-circle; and on both sides, and on the semicircular end, were the seats of the spectators, rising gradually one above another, like steps. On the outside the circus was surrounded with colonnades, galleries, shops, and public places. The largest of these buildings in Rome was the Circus Maximus, capable, according to Pliny, of containing 260,000, and according to Aurelius Victor, 385,000 spectators. At present, however, but few vestiges of it remain, and the circus of Caracalla is in the best preservation. The games celebrated in these structures were known collectively by the name of ludi circenses, circensian games, or games of the circus, which under the emperors attained the greatest magnificence.

The principal games of the circus were the ludi Romani or magni (Roman or Great Games), which were celebrated from the 4th to the 14th of September, in honour of the great gods, so called. The passion of the common or poorer class of people for these shows appears from the cry with which they addressed their rulers - panem et circenses (bread and the games!). The festival was opened by a splendid procession, or pompa, in which the magistrates, senate, priests, augurs, vestal virgins, and athletes, took part, carrying with them the images of the great gods, the Sibylline books, and sometimes the spoils of war. On reaching the circus the procession went round once in a circle, the sacrifices were performed, the spectators took their places, and the games commenced. These were:


  • 1. Races with horses and chariots, in which men of the highest rank engaged.
  • 2. The gymnastic contests.
  • 3. The Trojan games, prize contests on horseback, revived by Julius Caesar.
  • 4. The combats with wild beasts, in which beasts fought with beasts or with men (criminals or volunteers).
  • 5. Representations of naval engagements (naumachioe), for which purpose the circus could be laid under water.

The expense of these games was often immense. Pompey, in his second consulship, brought forward 500 lions at one combat of wild beasts, which, with eighteen elephants, were slain in five days.

The modern circus is a place where horses and wild animals are trained to perform antics, and where exhibitions of acrobats and various pageantries, including a large amount of buffoonery, are presented.
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FRENCH EXHIBITION

The French Exhibition was held at Earl's Court, London from May to September 1890. The exhibition consisted mainly of objects which had been displayed at the Universal Exhibition in Paris in 1889, and included works of art, manufactured goods, books, panoramas of parts of Paris and a hippodrome. Perhaps the high point of the exhibition was a chariot drawn by three African lions which was driven around the arena.
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ELIJAH

Elijah was the most distinguished of the prophets of Israel. He lived in the 9th century BC, during the reigns of Ahab and Ahaziah, and until the beginning of the reign of Jehoram, his special function being to denounce vengeance on the kings of Israel for their apostasy. He incurred the anger of Jezebel, wife of Ahab, for slaying the prophets of Baal, but escaped to Horeb, afterwards returning to Samaria to denounce Ahab for the murder of Naboth. Elijah at length supposedly ascended to heaven in a chariot of fire, or so claims Elisha, his successor,claiming to have seen the event.
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ACHILLES

Picture of Achilles

In Greek mythology, Achilles was a Greek hero. He is the chief character in Homer's Iliad. His father was Peleus, ruler of Phthia in Thessaly, his mother the sea-goddess Thetis. When only six years of age he was able to overcome lions and bears. His guardian, Cheiron the Centaur, having declared that Troy could not be taken without his aid, his mother, fearing for his safety, disguised him as a girl, and introduced him among the daughters of Lycomedes of Scyros. Her desire for his safety made her also try to make him invulnerable when a child by anointing him with ambrosia, and again by dipping him in the river Styx, from which he came out proof against wounds, all but the heel, by which she held him.

His place of concealment was discovered by Odysseus (Ulysses), and he promised his assistance to the Greeks against Troy. Accompanied by his close friend, Patroclus, he joined the expedition with a body of followers (Myrmidons) in fifty ships, and occupied nine years in raids upon the towns neighbouring to Troy, after which the siege proper commenced. On being deprived of his prize, the maiden Briseis, by Agamemnon, he refused to take any further part in the war, and
disaster attended the Greeks.

Patroclus now persuaded Achilles to allow him to lead the Myrmidons to battle dressed in his armour, and he having been slain by Hector, Achilles vowed revenge on the Trojans, and forgot his anger against the Greeks. He attacked the Trojans and drove them back to their walls, slaying them in great numbers, chased Hector, who fled before him three times round the walls of Troy, slew him, and dragged his body at his chariot-wheels, but afterwards gave it up to Priam, who came in person to beg for it. He then performed the funeral rites of Patroclus, with which the Iliad closes. He was killed in a battle at the Scasan Gate of Troy by an arrow from the bow of Paris which struck his vulnerable heel. In discussions on the origin of the Homeric poems the term Achilleid is often applied to those books (i. viii. and xi.-xxii.) of the Iliad in which Achilles is prominent, and which some suppose to have formed the original nucleus of the poem.
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ARTEMIS

Picture of Artemis

Artemis was a Greek goddess of the moon identified with the Roman Diana. The Great Virgin Goddess of fertility, vegetation, the wilderness, wild animal life and the chase, she was the daughter of Zeus and Leto or Latona, and was the twin sister of Apollo, born in the island of Delos. She is variously represented as a huntress, with bow and arrows; as a goddess of the nymphs, in a chariot drawn by four stags; and as the moon goddess, with the crescent of the moon above her forehead. She was a maiden divinity, never conquered by love, except when Endymion made her feel its power. She demanded the strictest chastity from her worshippers, and she is represented as having changed Actaeon into a stag, and caused him to be torn in pieces by his own dogs, because he had secretly watched her as she was bathing. The Artemisia was a festival celebrated in her honour at Delphi. The famous temple of Artemis at Ephesus was considered one of the wonders of the world, but the goddess worshipped there was very different from the huntress goddess of Greece, being of Eastern origin, and regarded as the symbol of fruitful nature.
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BACCHUS

Picture of Bacchus

Bacchus was a Greek and later Roman form of the Greek god Dionysus, and in this form was the god of wine and drunken happiness. He was the son of Jupiter and Semele, and was depicted in perennial youth, usually as a maiden, with a crown or vine or ivy leaves around his temples, and holding in his hand a spear bound with ivy. Tigers, lions or lynxes are yoked to his chariot, whilst he is accompanied by bacchanals, satyrs and his foster-father and preceptor Silenus.

He first taught the cultivation of the vine and the preparation of wine. To spread the knowledge of his invention he travelled over various countries and received in every quarter divine honours. Drawn by lions (some say panthers, tigers, or lynxes), he began his march, which resembled a triumphal procession. Those who opposed him were severely punished, but on those who received him hospitably he bestowed rewards. His love was shared by several; but Ariadne, whom he found deserted upon Naxos, alone was elevated to the dignity of a wife, and became a sharer of his immortality.
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CYBELE

Picture of Cybele

Cybele was the Great Mother and fertility goddess of the Phrygians and later the Greeks and Romans. Cybele lived in the wild and dangerous regions of the earth and ruled the fiercest of animals. She was said to enable her followers to be reborn after death into a new life. A black stone was sacred to Cybele. At annual celebrations to Cybele a chariot drawn by lions was driven through the streets of Rome, and at her rites the priests would beat and castrate themselves with whips decorated with knuckle bones in frenzies of passion. The rites were accompanied by the sacrifice of a bull or ram, its blood pouring from above over the priest.
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GLAUCUS

In Greek mythology, Glaucus was a sea-god, the son of Anthedon and Alcyone or else Poseidon and Nais. In Greek mythology, Glaucus was the son of Sisyphus and Merope. He owned a team of mares which he kept high spirited by depriving them of the company of stallions. When he lost the chariot-race at Pelias' funeral games the mares became so angry that they killed and ate Glaucus, whose ghost subsequently haunted the stadium of the Isthmian Games near Corinth scaring horses. In Greek mythology Glaucus was the son of Minos. As a child he fell into a jar of honey and drowned, only to be brought back to life by the seer Polyidus using a herb. In Greek mythology Glaucus was son of Hippolochus, a Lycian and together with Sarpedon, the commander of the Lycian forces allied with Priam in the Trojan War. He was killed by Aias while they were fighting over the corpse of Achilles.
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