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Research Results For 'Curtain'

FLAG OF THE PROPHET

The Flag of the Prophet or the Sanjak-sherif is the sacred flag of the Muslims. It was originally composed of the turbans of the Koreish captured by Mohammed; but the black curtain that hung in front of the door of Ayesha, one of Mohammed's wives, was afterwards substituted. It is preserved in the seraglio at Istanbul. The carefully-guarded banner unfolded at the commencement of a war is not the real sacred flag, though it is commonly believed to be so.
Research Flag of the Prophet

KARROZZIN

Picture of Karrozzin

A karrozzin is a four-wheeled, horse-drawn carriage used in Malta. It has a covered, curtain-sided carriage for the passengers with the driver sitting exposed in front.
Research Karrozzin

PROSCENIUM

A proscenium is that part in a theatre from the curtain or drop-scene to the orchestra. The term is also applied to the curtain and the ornamental framework from which it hangs.
Research Proscenium

GARY COOPER

Picture of Gary Cooper

Gary Cooper was an American actor. He was born Frank James Cooper in 1901 at Helena, Montana and died in 1961. The son of a Montana state supreme court justice, he received his elementary schooling in England, later attending Wesleyan College, an agricultural school, in Montana and Grinnell College in Iowa. After graduation, he worked briefly as a guide at Yellowstone National Park and began submitting political cartoons to his hometown newspaper, the Helena Independent. In 1924, Cooper set out for California, hoping to become a cartoonist for a Los Angeles newspaper. Instead he found himself a door-to-door salesman for a photographer and space salesman for theatre curtain advertising. In 1925 he was introduced by friends to Hollywood casting directors and began playing cowboy extras in Westerns. During 1925 and early 1926 he appeared briefly in many films, including The Thundering Herd, Wild Horse Mesa, The Vanishing American, The Eagle, and The Enchanted Hill. He also played heavies in several two-reelers.
His big break came in 1926, when he was cast as a last-minute replacement for the second lead in Goldwyn's 'The Winning of Barbara Worth', starring Ronald Colman and Vilma Banky. The film was a big box-office hit and it started Cooper on his way to becoming one of Hollywood's all-time great stars. Tall, handsome, and laconic, with a shy smile and a hesitant delivery, he had an immediate appeal to both male and female audiences and steadily moved to the top. In the eyes of millions the world over he came to personify the strong, silent American, a man of action and few words. At first taken lightly by the critics, he received more press coverage for his romantic escapades (with Clara Bow, Lupe Velez, Evelyn Brent, etc.) than for his acting in films. But he soon settled down, married socialite Veronica Balfe, who had briefly appeared in films as Sandra Shaw, and gradually developed a natural aptitude for screen acting. By the mid-30s he was generally accepted as a capable performer.
His physique and nonchalant manner had been effective from the start in romantic and adventure films. Now his slightly awkward mannerisms and delayed reactions also proved to be perfect assets for screen comedy, under the guidance of such directors as Lubitsch and Capra. But above all, he remained most closely identified with his roles as a man of the American West. The diversity of his roles was reflected in two of his Oscar nominations: the 1946 'Mr Deeds Goes to Town', and the 1942 'The Pride of the Yankees'. He won his first Academy Award, as well as the New York Film Critics Award, for the 1941 'Sergeant York'. Cooper received another Oscar in 1952 for High Noon, perhaps his most memorable film, and received a Special Academy Award in the 1960 ceremony, held in April of 1961, for his many memorable screen performances and the international recognition he, as an individual, has gained for the motion picture industry. His close friend, James Stewart, accepted this last award in Cooper's behalf with tears in his eyes. He had just learned, along with a few other Cooper intimates, that the beloved star was suffering from incurable
cancer. On May the 13th, 1961, about one month later, Gary Cooper died at 60.
Research Gary Cooper

EYE

Picture of Eye

The eye is the organ of vision of animals, consisting in man of the globe of the eye, the muscles which move it, and of its appendages, which are the eyelids and eyebrows, and the lachrymal apparatus. The walls of the globe of the eye are formed principally of two fibrous membranes; one white and opaque - the sclerotic (from the Greek skleros meaning hard) - which envelops two-thirds of the globe posteriorly; and the other transparent, and resembling a horny plate, whence its name, cornea (from the Latin. corneus, meaning horny). The sclerotic is a tough fibrous coat, and is the part to which the phrase 'white of the eye' is applied. In the front of the globe the sclerotic is abruptly transformed into the transparent portion (the cornea), which is circular, and which forms a window through which one can see into the interior.

A mucous membrane, the conjunctiva, so named because it unites the eye to the lid, spreads over the anterior portion of the globe, and then folds back on itself and lines the internal surface of the, eyelids. On the internal surface of the sclerotic is a vascular membrane called the choroid. This is essentially the blood-vessel coat of the eyeball. The front part of the choroid terminates about the place where the sclerotic passes into the cornea in a series of ridges, the ciliary processes. The circular space thus left in front by the termination of the choroid is occupied by the iris, a round curtain, the structure seen through the cornea, differently coloured in different individuals. In its centre is a round hole, the pupil, which appears as if it were a black spot. The iris forms a sort of transverse partition dividing the cavity of the eyeball into two chambers, a small anterior chamber filled with the aqueous humour, and a large posterior chamber filled with vitreous humour. The iris consists of a framework of connective tissue, and its posterior surface is lined by cells containing pigment which gives the colour to the eye. In its substance are bundles of involuntary muscular fibres, one set being arranged in a ring round the margin of the pupil, the other set radiating from the pupil like the spokes of a wheel. In a bright light the circular fibres contract and the pupil is made smaller; but in the dark these fibres relax and cause the pupil to dilate more or less widely, thus allowing only that quantity of luminous rays to enter the eye which is necessary to vision.


Just behind the pupil is the crystalline lens, resembling a small, very strongly magnifying glass, convex on each side, though more so behind. The greater or less convexity of the surfaces of the lens determines whether the vision is long or short. The internal surface of the choroid, or rather the pigmentary layer which covers it, is lined by the retina or nervous tunic upon which the objects are depicted that we see.

The ocular globe is put in motion in the orbit by six muscles, grouped two by two, which raise or lower the eye, turn it inward or outward, or on its antero-posterior axis. In these movements the centre of the globe is immovable, and the eye moves round its transverse and vertical diameters. These three orders of movements are independent of each other, and may be made singly or in combination, in such a manner as to direct the pupil towards all points of the circumference of the orbit.


Each eye is furnished with two eyelids, moved by muscles, which shield it from too much light and keep it from being injured. They are fringed with short fine hairs called eyelashes; and along the edge of the lids is a row of glands similar to the sebaceous glands of the skin. The eyebrows, ridges of thickened integument and muscle, situated on the upper circumference of the orbit and covered with short hairs, also regulate to some extent the admission of light by muscular contraction. In reptiles, some fishes (sharks, etc), in birds, and in some mammals a third eyelid or nictitating membrane is present, and can be drawn over the surface of the eye so as to clear it of foreign matters, and also to modify the light.

The lachrymal apparatus is composed of, firstly, the lachrymal gland, which lies in a depression of the orbital arch; secondly, of the lachrymal canals, by which the tears are poured out upon the conjunctiva a little above the border of the upper lid; thirdly, the lachrymal ducts, which are destined to receive the tears after they have bathed the eye, and of which the orifices or lachrymal points are seen near the internal commissure of the lids; fourthly, the lachrymal sac, in which the lachrymal ducts terminate, and which empties the tears into the nasal canal.

The tears, by running over the surface of the conjunctiva, render it supple and facilitate the movements of the globe and eyelids by lessening the friction. The influence of moral or physical causes increases their secretion, and when the lachrymal ducts do not suffice to carry them off they run over the lids.

The retina renders the eye sensible of light, and we may therefore consider it as the essential organ of vision. The function of the other portions is to converge the luminous rays to a focus on the surface of the retina, a condition necessary for distinct vision and the clear perception of objects. The visual impressions are transmitted from the retina to the brain by means of the optic nerve. The two optic nerves converge from the base of the orbit toward the centre of the base of the skull, where there is an interlacement of their fibres in such a manner that a portion of the right nerve goes to the left side of the brain, and a part of the left nerve to the right side; this is called the chiasma or commissure of the optic nerves. The principal advantage of having two eyes is in the estimation of distance and the perception of relief. In order to see a point as single by two eyes we must make its two images fall on corresponding points of the retinas; and this implies a greater or less convergence of the optic axes according as the object is nearer or more remote.

According to one estimate, four-fifths of everything we know reaches the brain through our eyes. The eyes transmit constant streams of images to the brain by electrical signals. The eyes receive information from light rays. The light rays are either absorbed or reflected. Objects that absorb all of the light rays appear black, whereas those that reflect all the light rays appear white. coloured objects absorb certain parts of the light spectrum and reflect others. When you look at something, the light rays reflected from the object enter the eye. The light is refracted by the cornea and passes through the watery aqueous humor and pupil to the lens. The iris controls the amount of light entering the eye. Then the lens focuses the light through the vitreous humor onto the retina, forming an image in reverse and upsidedown. Light- sensitive cells in the retina transmit the image to the brain by electrical signals. The brain perceives the image the right side up.

To accommodate the eye to different distances the lens is capable of altering itself with great precision and rapidity. When we look at a near object the anterior surface of the lens bulges forward, becoming more convex the nearer the object; the more distant the object the more the lens is flattened. When the transparency of the cornea, the crystalline lens, or any of the humours, is destroyed, either partially or entirely, then will partial or total blindness follow, since no image can be formed, upon, the retina; but although all the humours and the cornea be perfectly transparent, and retain their proper forms, which is likewise necessary to distinct vision, yet, from weakness or inactivity of the optic nerve, or injury of the central ganglia with which it is connected, weakness of sight or total blindness may ensue. Defective vision may also arise from the crystalline lens being so convex as to form an image before the rays reach the retina (a defect known as short sight or myopia), in which case distinct vision will be procured by interposing a concave lens between the eye and the object of such a curvature as shall cause the rays that pass through the crystalline lens to meet on the retina; or the lens may be too flat, as is the case in old age, a defect which is corrected by convex lenses.

In the lower forms of life the organs of sight appear as mere pigment spots. Ascending higher, simple lenses or refracting bodies occur. Insects, crustaceans, etc, have large masses of simple eyes or ocelli aggregated together to form compound eyes - the separate facets or lenses being optically distinct, and sometimes numbering many thousands. In the molluscs well-developed eyes approaching in structure those of the highest animals are found; and in all vertebrate animals the organ of vision corresponds generally to what has been described, though they vary much in structure and adaptation to the surroundings of the animal.
Research Eye

BASTION

Picture of Bastion

A bastion is a work projecting outward from the main enclosure of a fortification, consisting of two faces and two flanks, and so constructed that it is able to defend the adjacent curtain, or wall which extends from one bastion to another, with a flanking fire. Two adjacent bastions are connected by the curtain, which joins the flank of one with the adjacent flank of the other. The distance between the flanks of a bastion is called the gorge. A lunette is a detached bastion. There have been various forms of bastion through the ages:

A composed bastion is one in which the sides of the interior polygon are very irregular, with the effect of making the gorges also irregular.

A cut bastion is one which has a re-entering angle instead of a point.

A deformed bastion is one in which the irregularity of the lines and angles prevents the structure from having a regular form.

A demi-bastion is a bastion composed of one face only with a single flank and a demi-gorge.

A double bastion is a bastion raised on the plane of another.

A flat bastion is a bastion erected in the middle of a curtain when the latter is too long to be protected by the bastions at its ends.

A hollow bastion is a bastion hollow in the interior, that is between the flanks and the faces of the point.

A regular bastion is one so planned as to possess a true proportion of its faces, flanks and gorges.

A solid bastion is one solid throughout its entire structure.
Research Bastion

BERM

A berm is a level space about a metre wide between the outside slope of a rampart and the scarp of the ditch in a fortification. In a castle, the berm is the space between the curtain wall and the moat.
Research Berm

CROWN-WORK

In fortification, a crown-work is a form of advanced work consisting of two double-bastions and a curtain, with two long sides called wings, which are flanked by the main works in the rear.
Research Crown-work

CURTAIN

In fortifications the curtain is that part of the rampart and parapet which is between two bastions or two gates.
Research Curtain

CURTAIN FIRE

Curtain Fire is a line of shells exploding just in front of an advancing infantry to shield them from attack. Sometimes the shells would be exploded behind an entrenched enemy position to prevent their retreat.
Research Curtain Fire

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