An original study into the science of attraction among the English.
A young person on a Friday night dresses up and goes to town seeking a mate. They would argue that their choice of clothes and presentation are conscious. Decisions made in the light of current fashion trends and their own perception of what they look good in. In fact, the choices have already been made by nature. Biological programming by nature steers that young person as surely as the winds and tides steer a ship without a rudder. To understand these unconscious motivations one must review the role of humans as animals. All animals are programmed with the primary intention of helping the species to survive long-term. Long term survival of any species is accomplished through it's adaptation and development. A species adapts from one generation to the next through the mixing of genes. Breeding between many different partners. Nature programs all animals to encourage the combination of genes which are most likely to assist the species. Strong animals breed together and restrict the breeding of weaker animals. Creative and perceptive, but weak individuals covertly breed.
In this way both strength, and creativity are passed on. The notion of 'the survival of the fittest' is quite untrue. Speed, strength and mental ability all assist survival. Human animals are no different in their programming to any other species. They are as much victims to the primary directive of species survival as are the amoeba, the ant and the elephant. When two animals, be they human or otherwise, breed the parents pass on to the offspring characteristics from themselves. The offspring is then a mixture of characteristics from the parents. Human animals have an insatiable desire to pass on their characteristics. It is programmed into them just as it is with all animals. Certainly the human ability to think and to rationalise gives rise to conflicts between this animal desire and social acceptability, but the urge remains none-the-less.
To examine how the desire to satisfy this primary directive motivates humans in perhaps everything they do one must first review the basic roles of the sexes. The female human, like all female mammals is fertilised by the male and carries the young inside herself for a while before giving birth. Human' s give birth prematurely, as do all advanced animals. If the human mother was to carry her offspring until such time as it was capable of self sufficiency her gestation period would be in the region of twelve years, rather than nine months. Quite impossible, so the young is born early and dependant upon the mother, for she produces milk, for support. In a primitive society, a nursing mother is incapable of supporting her offspring and gathering food and shelter for herself. The human mother, like most other animals relies upon the support of a partner - usually the male father of the offspring - who will collect food, shelter and provide protection against predators. The two roles are quite clearly defined by nature: The female nurtures the offspring. The male provides for the female during the nurturing period With civilisation, the roles
become confused. A male may nurture the offspring once it has been born while the female support him. Two males or females may acquire an offspring and live together. But the basic situation is the same; two adults co-operating for the benefit of producing new offspring for the species. Gregarious co-operation with family units supporting single parents may also appear. But even in these circumstances responsibility for an offspring will be taken by one or two adults. Realising these basic roles of the two sexes one can see what each looks for in the other as a partner.
The female when seeking a male partner looks for the following characteristics: 1) Desirability by other females. This ensures that resultant offspring will also attractive and will have the maximum chance of spawning.
2) Fidelity. To ensure the maximum purity of the offspring.
3) Steadfastness. This ensures that the male will support her during the gestation period and while the offspring is dependant upon her. Otherwise, she and the offspring may not survive.
4) Mental ability. Mental ability is important to assist the species to develop.
5) Strength. Physical strength is necessary for the survival of both the offspring and the species.
6) Social Status. In an advanced society this may be realised as wealth. A perceived high social status implies success, which in turn inspires confidence in the off spring' s chances of survival.
The male human seeks the following from a female mate:
1) Desirability by other males. This ensures that resultant offspring will also attractive and will have the maximum chance of spawning.
2) Fidelity. To ensure the maximum purity of the offspring.
3) Steadfastness. This ensures that the female will provide and nourish the offspring ensuring its survival.
4) Mental ability. Mental ability is important to assist the species to develop.
5) Strength. Physical strength is necessary for the survival of both the offspring and the species.
Despite the desire for fidelity in our partner, mankind has also been programmed to spread our genes as far and wide as possible. This programming is responsible for the phases humans go through with our desires at times for 'older' and 'younger' partners, and also for ' exotic' or foreign partners. The problem of inbreeding has been taken care of with our variance in what humans find desirable. If all humans found the same attributes attractive in a person, the scope of reproduction would be severely limited. However, by programming humans to find different attributes more or less attractive, nature ensures a good spread of reproduction. Personality takes a part. Our programming to benefit the species leads one to resist personalities with attributes which do not consider beneficial to the species, and to bias towards personalities with attributes which are found beneficial. As with all animals, humans have a problem with finding a mate. Potential mates must be satisfied with our desirability. And while this can be circumscribed through force and deceit (rape or plying the mate with alcohol or drugs to numb the mind), generally humans preen and parade themselves as other animals do.
Humans embarrass attractiveness through covering our bodies with perfumes, clothes and paint. Males will appear successful through driving a suitable vehicle, or wearing suitable clothes. Suitable being items which trigger the notion of success in the potential mate's mind. The female human, being on the whole passive in the mate selection process, will display herself in front of potential mates to attract attention. She implies receptability through the display and emphasis of her erogenous regions. Homosexuality: While the divisions between the male and female sexes in humans is clearly defined biologically, psychologically the male and female sexes are confused, blended and fused. The advancement of the humananimal has been a partial result of the blending of psychological characteristics of parents in their offspring. Thus, all humans posses male and female characteristics in varying degrees, forming a shaded psyche rather than the clearly defined male/female roles
of less complex organisms. This may account for the comparatively large number of human homosexuals compared to other animals, and indeed observation and interviews with homosexual men over many years has led to the belief that male homosexuals are essentially of the male physical sex, but female mental sex, consisting of a much higher proportion of female psychological attributes than traditional men. Research Biological Programming In Human Sexual Relationships
A cave, or cavern is an opening of some size in the solid crust of the earth beneath the surface. Caves are principally met with in limestone rocks, sometimes in sandstone and in volcanic rocks. Some of them have a very grand or picturesque appearance, such as Fingal's Cave in Staffordshire, others, such as the Mammoth Cave of Kentucky, which incloses an extent of about 40 miles of subterranean windings, are celebrated for their great size and subterranean waters, others for their gorgeous stalactites and stalagmites; others are of interest to the geologist and archaeologist from the occurrence in them of osseous remains of animals no longer found in the same region, perhaps altogether extinct, or for the evidence their clay floors and rudely-sculptured walls, and the prehistoric implements and human bones found in them, offer of the presence of early man.
Caves in which the bones of extinct animals are found owe their origin, for the most part, to the action of rain-water on limestone rocks. The deposit contained in them usually consists of clay, sand, and gravel combined. In this are embedded the animal remains, and stones either angular or rounded. Some of the remains found in European caverns belong to animals now found only in the tropical or subtropical regions, and others are the remains of animals now living in more northerly areas; others, again, are the relics of extinct animals. Among the latter class of animals are the cave bear and lion, the mammoth and mastodon, species of rhinoceros, etc. Of others that have only migrated may be mentioned the reindeer, which is no longer found in Southern Europe; and the Hyoena crocuta, found in the Gibraltar caves, which now lives in South Africa. The ibex, the chamois, and a species of ground squirrel, are shown to have once lived in the Dordogne, but are now found only on the heights of the Alps and Pyrenees.
Thus it is evident that the geographical conditions of the country must have been very different from what they are now. Man's relation to these extinct animals, and his existence at the time these changes took place, are demonstrated by such discoveries as those of human bones and worked flints beneath layers of hyena droppings, as in Wokey's Hole, near Wells, England; mixed up indiscriminately, as in Kent's Hole, near Torquay, with bones of elephant, rhinoceros, hyena, etc; and by the fact that many bones of the extinct animals are split up, evidently for the sake of the marrow.
In the Dordogne and Savigne caves fragments of horn have been found bearing carved, or rather deeply scratched, outline figures of ibex, reindeer, and mammoth. Among the most remarkable bone-caves are those of Kirkdale, in Yorkshire; Kent's Hole, Wokey's Hole; of Franconia, in Bavaria; the banks of the Meuse, near Liege; and the south of France. Research Cave
Coitus a Cheval is the practice of having sexual intercourse while riding a horse, and less often am camel or elephant. The rocking rhythm of the moving animal provides the participants with enhanced arousal and sensation. The term is also used to describe the pony girl fantasy. Research Coitus A Cheval
Ivory is an opaque, creamy white, hard, fine-grained, modified dentin that composes the upper incisor teeth of an elephant. Ivory is composed of curved layers of dentine alternating in shade, that intersect one another; the resulting lozenge-shaped structure is elastic and finely grained. The layers of a tusk are deposited from the central pulp, so that the innermost layer is the newest. Most commercial elephant ivory is obtained from the tusks of the African elephant, mainly from eastern and central Africa. (Most of the ivory of the western half of Africa is hard, whereas that from the eastern half is soft. Hard ivory is glassier in texture, harder to cut and more likely to crack than soft ivory.)
Fossil ivory, called odontolite, is a blue variety that is found in small quantities in the frozen soil of northern Siberia. Odontolite was produced by the mammoths of the Pleistocene geological epoch; its blue colour results from saturation by metallic salts. Carved ivory has been used for decorative purposes since the time of the ancient Egyptians. Small pieces of ivory are used for high-quality furniture inlays, chess pieces, and small jewellery. Larger pieces of ivory sometimes have been used in the manufacture of billiard balls, piano keys, and toilet articles.
During the late 1980s, as Africa's elephant herds declined, environmentalists led a world-wide effort to shut down the ivory trade; in 1989 the USA and the European Union banned all ivory imports. Tusks of several other animals such as hippopotamuses, narwhals, sperm whales, and walruses are commonly called ivory and have similar physical properties, and many plastic substitutes for ivory have been developed. Several ivory-like vegetable parts are also used in imitation of ivory; the ivory palm, for example, produces large, white, hard seeds, called ivory nuts, the endosperm of which is commonly known as vegetable ivory. In painting, ivory is a delicate colour deeper in tone than off-white, but not so deep as cream. Research Ivory
Ivory carving is the art of carving ivory for ornamental or useful purposes, practised from prehistoric to modern times. The ivory most frequently used is obtained from elephant tusks, but other types of ivory or substitute materials include the tusks, teeth, horns, and bones of the narwhal, walrus, and other animals, as well as vegetableivory and synthetic ivories. The earliest ivory carvings known were made in the Old Stone Age. The inhabitants of Europe in the Perigoridan period more than 20,000 years ago produced great numbers of ivory, bone, and horn carvings, with nude female figures being the most common subject. Representations of animals occur most often in the subsequent Magdalenian period. In Egypt the art of ivory and bone carving was developed in predynastic times, before 3000 BC . Large numbers of carved figures of men and women, as well as carved combs, hairpins, and handles, have been found in Egyptian tombs dating from predynastic and early dynastic periods. Objects found in Egyptian tombs of later date include carved ivory weapon hilts and furniture and caskets inlaid with ivory carvings.
Mesopotamian ivories frequently show strong Egyptian influence. They include a series of tablets carved with figures in low relief, made at the ancient Assyrian capital Nineveh. The Minoans in Crete, and later the ancient Greeks, were noted for their ivory carvings. The Minoans carved small acrobats and snake goddesses.
The Greeks were famous especially in the 5th century BC for their chryselephantine statues, often of heroic size, in which the flesh was represented in carved ivory and the hair and garments in sculptured gold. Among the Romans, in late imperial times, consular diptychs of carved ivory were much in demand. A consular diptych was a two-leafed tablet decorated with portraits and scenes commemorating the inauguration of a consul. It contained a sheet of wax for writing and was given to friends. Ivory carving flourished under the Byzantine Empire, particularly in the 5th and 6th centuries and from the 10th to the 13th century. Christian figures, symbols, and scenes were the subjects most commonly depicted on ivory book covers, icons, boxes, shrines, crosiers, crucifixes, door panels, and thrones. A masterpiece of Byzantine ivory is the Throne of Maximilian. Most Byzantine carvings, however, were in the form of a diptych. In Europe during the reigns of Charlemagne and his successors in the 9th and 10th centuries, elaborately carved ivory book covers, reliquaries, and altarpieces were produced.
Relatively little ivory carving was undertaken in Romanesque Europe, but it reached great heights in the Gothic period. Gothic ivories from the 13th to the 15th century were chiefly religious, as in earlier periods, but were more for private devotions than ecclesiastical use. Popular objects included diptychs with deeply carved figures and elaborate architectural decoration. Especially fine work was produced in Paris. During the 15th and 16th centuries, ivory carving was not popular, but in the baroque and rococo periods in the 17th and 18th centuries it again came into vogue, especially in Germany and the Netherlands. German craftsmen were known for richly ornamented ivories; Flemish craftsmen produced statuettes and other sculpture- inspired ivory carvings. France again became an important ivory- carving centre. The chief centres of the industry were the French cities of Dieppe and Paris, where large numbers of crucifixes and other religious objects were produced.
During the 18th century, however, the demand for ivories diminished. Ivory recovered its popularity in decorative arts in the Art Nouveau style at the end of the 19th century. Old ivory carvings are especially valued by 20th-century collectors of ivory, but very little ivory work is now produced in the western hemisphere. Muslim craftsmen in the Middle East created ivory inlay in intricate arabesque patterns on furniture and other woodwork. In the Far East the best-known ivories are those of India, Japan, and particularly China. Indians carved figures of their gods and ornate caskets, often imitating Italian styles. Japanese netsukes, small carved purse toggles, are often made of ivory. The Chinese have traditionally esteemed ivory and encouraged their artists to work in it. The art still flourishes today; objects created include statuettes, chess pieces, fans, screens, toilet articles, chopsticks, and models of buildings and boats. The Chinese are world famous for their ivory curiosities, particularly the concentric ivory balls carved one inside the other by Cantonese craftsmen. In Inuit, African, and American Indian cultures, carving in ivory, horn, and bone has been practised from the earliest times to the present day. Research Ivory Carving
Jade carving is the process by which the surface of jade stone is embellished through abrasion. The earliest known carved jades were made in China during the New Stone Age, or Neolithic period. Neolithic jades were usually fashioned as blades, although it is unclear whether they served a utilitarian or ceremonial function.
Excavations conducted at sites settled during the Shang dynasty have yielded a number of carved jades in a variety of forms. Certain shapes predominate, such as the round disk (pi), the ax (kuei), and a cylindrical tube (tsung). These objects probably served a ritual function, either as symbols of rank or as grave furnishings. The most beautiful examples of Shang jade carving, however, are small sculptures and plaques. The discovery, in 1975, of an undisturbed tomb from the Anyang era of the Shang dynasty has yielded the richest group of jade carvings to date. The excavation revealed plaques depicting dragons and various birds, along with near-miniature sculptures of human figures, mythical creatures, and recognisable animals, including an elephant.
The achievements of the Shang jade carvers were adopted and ultimately surpassed by artists of the Chou dynasty. Surface decoration became increasingly sophisticated, with open- work featuring birds and dragons, as well as tiny, individually carved curls. The development of the iron drill is probably responsible for the technical advancements seen in the carvings of this period. Elaborate jade carving continued in popularity during the Han dynasty; in addition, a most notable jade artefact was the so-called funerary suit. Various excavations have yielded corpses encased in a jade form made of thousands of rectangular pieces of jade, sewn together with gold thread, and fitted to the body. Other small jades, previously objects for burial, were now fashioned for the uses of the living. Toilet boxes, drinking vessels, and delightful adornments for the scholar's desk have been preserved from the Han period.
The dating of jade carvings from after the Han dynasty through the Ch'ing dynasty has been highly problematic, as the archaeological evidence is often incomplete. Throughout this period, however, small decorative forms of jade, often depicting animals, flowers, or children, continued in popularity. T'ang and Sung carvers favoured small figures. Drinking and desk vessels, and jadejewellery as well, were widely produced in the Yuan and Ming epochs. During the Ch'ing period, particularly in the 18th century, large jade carvings attained great favour with the emperors and royal officials. Forms were often taken from ancient bronze vessels, reflecting the continuing interest in early art. Landscapes, often paralleling those found on carved bamboo or in paintings, were carefully transcribed onto the surface of enormous jade slabs. Much of this intricacy is still found in Chinese jade work today; traditional design motifs and carving styles also have been retained. China's continuous interest in jade carving was never found in other Asian nations.
The Indians practised a degree of jade work, most notably the Islamic Mughals, who favoured ceremonial weapons with highly decorative jade blades. The most important centre of jade carving outside the Orient was pre-Columbian Mexico and Central America under the Olmec, Aztec, and Mayan rulers. Splendid ceremonial objects-axes, knives, masks, and large animal figures-were produced; the objects are sophisticated in style and highly advanced in technique. Research Jade Carving
The Order of the Elephant is an ancient Danish order of chivalry, said to have been instituted about the end of the 12th century by Canute VI to perpetuate the memory of a DanishCrusader who had killed an elephant in the Holy Land. It was renewed by Christian I in 1462, in 1693 by Christian V, and again in 1808. It is the highest of the Danish orders. The number of members, not counting those of the royal family, is restricted to thirty. The badge of the order is an enamelled white elephant, bearing on a blue housing, bordered with gold and crossed with white, a sculptured tower. The device is Magni animi pretium. Research Order of the Elephant
The Probert Encyclopaedia was designed, edited and programed by
Matt and Leela Probert
Abbreviations
Research Biological Programming In Human Sexual Relationships
