Adultery is the voluntary sexual intercourse of a married person with any other than the offender's husband or wife; when committed between two married persons, the offence is called double, and when between a married and single person, single adultery. The Mosaic, Greek, and early Roman law only recognized the offence when a married woman was the offender. By the Jewish law it was punished with death. In Greece the laws against it were severe. By the laws of Draco and Solon adulterers, when caught in the act, were at the mercy of the injured party. In early Rome the punishment was left to the discretion of the husband and parents of the adulteress. The punishment assigned by the LexJulia, under Augustus, was banishment or a heavy tine. Under Constantius and Constans, adulterers were burned or sewed in sacks and thrown into the sea; under Justinian the wife was to be scourged, lose her dower, and be shut up in a monastery; at the expiration of two years the husband might take her again; if he refused she was shaven and made a nun for life. By the ancient laws of France this crime was punishable with death. In Spain personal mutilation was frequently the punishment adopted. In several European countries adultery was regarded as a criminal offence, but in none did the punishment exceed imprisonment for a short period, accompanied by a fine. In England formerly it was punishable with fine and imprisonment, and in Scotland it was frequently made a capital offence. In the United States the punishment of adultery has varied materially at different times. It has, however, very seldom been punished criminally in the States. Research Adultery
Anointing is the rubbing the body or some part of it with oil, often perfumed. From time immemorial the nations of the East have been in the habit of anointing themselves for the sake of health and beauty. The Greeks and Romans anointed themselves after the bath. Wrestlers anointed themselves in order to render it more difficult for their antagonists to get hold of them. In Egypt it seems to have been common to anoint the head of guests when they entered the house where they were to be entertained. In the Mosaic law a sacred character was attached to the anointing of the garments of the priests and things belonging to the ceremonial of worship. The Jewish priests and kings were anointed when inducted into office, and were called the anointed of the Lord, to show that their persons were sacred and their office from God. In the Old Testament also the prophecies respecting the Redeemer style him Messias, that is, the Anointed, which is also the meaning of his Greek name Christ. The custom of anointing still exists in the Roman Catholic Church in the ordination of priests and the confirmation of believers and the sacrament of extreme unction. The ceremony is also frequently a part of the coronation of kings. Research Anointing
Byzantine art is the symbolic system which was developed by the early Greek or Byzantine artists out of the Christian symbolism. Byzantine Art arose in South-eastern Europe after Constantine the Great had made Byzantium the capital of the Roman Empire in 330 AD and ornamented that city, which was called after him, with all the treasures of Grecian art.
One of the chief influences in Byzantine art was Christianity, and to a certain extent Byzantine art may be recognized as the endeavour to give expression to the new elements which Christianity had brought into the life of men. The tendency towards Oriental luxuriance and splendour of ornament now quite supplanted the simplicity of ancient taste. Richness of material and decoration was the aim of the artist rather than purity of conception. Yet the classical ideals of art, and in particular the traditions of technical processes and methods carried to Byzantium by the artists of the Western Empire, held their ground long enough, and produced work pure and powerful enough, to kindle the new artistic life which began in Italy with Cimabue and Giotto.
With regard to sculpture the statues no longer displayed the freedom and dignity of ancient art. The true proportion of parts, the correctness of the outlines, and in general
the severe beauty of the naked figure, or of simple drapery in Greek art, were neglected for extravagant costume and ornamentation and petty details. Yet in the best period of Byzantine art, from the 6th to the 11th century, there is considerable spiritual dignity in the general conception of the figures. But sculpture was of second-rate importance at Byzantium, the taste of those times inclining more to mosaic work with the costliness and brilliant colours of its stones.
The first germ of a Christian style of art was developed in the Byzantine pictures. The artists, who appear to have seldom employed the living model, and had nothing real and material before them, but were obliged to find, in their own imaginations, conceptions of the external appearance of sacred persons, such as the mother of Christ or the apostles, could give but feeble renderings of their ideas. As they cared but little for a faithful imitation of nature, but were
satisfied with repeating what was once acknowledged as successful, it is not strange that certain forms, approved by the taste of the time, should be made, by convention, and without regard to truth and beauty, general models of the human figure, and be transmitted as such to succeeding times. In this way the artists in the later periods did not even aim at accuracy of representation, but were contented with stiff general outlines, lavishing their labour on ornamental parts.
Byzantine architecture may be said to have assumed its distinctive features in the church of St Sophia built by Justinian in the 6th century, and still existing as the chief mosque in Constantinople. It is more especially the style associated with the Greek Church as distinguished from the Roman.
The leading forms of the Byzantine style are the round arch, the circle, and in particular the dome. The last is the most conspicuous and characteristic object in Byzantine buildings, and the free and full employment of it was arrived at when by the use of pendentives the architects were enabled to place it on a square apartment instead of a circular or polygonal. In this style of building incrustation, the incrustation of brick with more precious materials, was largely in use. It depended much on colour and surface ornament for its effect, and with this intent mosaics wrought on grounds of gold or of positive colour are profusely introduced, while coloured marbles. and stones of various kinds are greatly made use of. The capitals are of peculiar and original design, the most characteristic being square and tapering downwards, and they are very varied in their decorations.
Byzantine architecture may be divided into an older and a newer (or Neo-Byzantine) style. The most distinctive feature of the latter ia that the dome is raised on a perpendicular circular or polygonal piece of masonry (technically the drum) containing windows for lighting the interior, while in the older style the light was admitted by openings in the dome itself. The Cathedral of Athens is an example of the Neo-Byzantine style.
Dispensation is the act by which an exception is made to the rigour of the law in favour of some person. The pope may release from all oaths or vows, and may sanction a marriage within the prohibited degrees of the Mosaic law, or exempt from obedience to the disciplinary enactments of the canon law. In England the monarch claimed, in former times, a similar dispensing power in civil law, but the prerogative was so much abused by James II that it was abolished by the Bill of Rights. The power of commuting sentences in capital cases was the only form in which the dispensing power of the crown remained. In ecclesiastical matters a bishop may grant a dispensation allowing a clergyman to hold more than one benefice, or to absent himself from his parish. Research Dispensation
Florentine Work is a kind of mosaic work, consisting of precious stones and pieces of white and coloured marble, which has long been produced in Florence. It is applied to jewellery, and used for table tops, etc. Research Florentine Work
A mosaic is a pattern or picture made of small pieces of coloured glass, stone or other material. The Romans decorated the floors of their palaces and important buildings with elaborate mosaics made of abaculi. Impressive Roman floor mosaics can still be seen preserved at the remains of the Roman palace at Fishbourne near Chichester in Sussex. Research Mosaic
The Sadducees were a religious party in Judaism, originating about the same period as the Pharisees. They were the aristocratic, priestly party, who, being identified with the government in the time of the Hasmonaeans, became more worldly in their policy, more eager about the independence of the state than about the ideals of religion. Hence they rejected the traditions of the Pharisees. Religion was by them construed as a code of morals, with certain peculiar practices rather than obedience to a god's will; hence their insistence on the freedom of the will. When the temple fell, they, having no other support than the Mosaic ritual, disappeared with it. Research Sadducees
The week is the period of seven days now universally adopted. It is of Hebrew or Chaldean origin and is generally regarded as a memorial of the creation of the world according to the Mosaic account. Dion Cassius attributes the invention of the week to the Egyptians. The Ptolemaic arrangement of the heavenly bodies, according to their distances from the earth, is Saturn (the most distant), Jupiter, Mars, the sun, Venus, Mercury and the Moon; and it was a principle of the ancient astrology that these bodies presided in this succession over the hours of the day. If the first hour be assigned to Saturn, the twenty-fifth or first hour of the next day, will fall to the sun; the forty-ninth, or first hour of the second day will fall to the moon and so on. From the names of the planets have been formed the modern names - Saturday (Saturn), Sunday (Sun), Monday (Moon), Tuesday (Tiu, the Saxonequivalent of Mars), Wednesday (Woden the Norseequivalent of Mercury), Thursday (Thor the Norseequivalent of Jupiter) and Friday (Frygga the Norseequivalent of Venus). Research Week
The coffer-fish (Ostracion) are members of the order Plectognathi, and are remarkable for the hard shield or carapace with which the body is covered, which is made up of six-sided scutes, joined together in a mosaic. They are found only in tropical and sub-tropical seas. Research Coffer-fish
The Probert Encyclopaedia was designed, edited and programed by
Matt and Leela Probert
Abbreviations
Research Abaculi
