Alfa Romeo is an Italian motor-car manufacturer. The company was founded in 1906 as 'Societa Italiana Automobili Darracq' with the aim of manufacturing low cost Darracq motor cars. That company quickly ran into difficulties when the once booming car market began to falter. In 1910 the Darracq factory that had been built in the Portello district of Milan was sold to a group of Italian car enthusiasts who called themselves 'Anonima Lombarda Fabbrica Automobili' (ALFA). Success was to be short lived, because the company went into liquidation in 1915, and was then taken over by an engineer and entrepreneur called Nicola Romeo. After the Great War the company changed its name to 'Societa Anonima Ing. NicolaRomeo & Co.' having taken over several smaller firms: Officine Meccaniche di Saronno, Officine Meccaniche Tabanelli of Rome and Officine Ferroviarie Meridionali of Naples. Formally constituted by the notary, Federico Guasti, in Milan on February the 3rd 1918, the new company proclaimed its purpose to be 'the
construction and management of engineering, steel, agricultural, mining, chemical and quarrying companies, with particular emphasis on military, aviation, marine and agricultural equipment, internal combustion engines for all possible applications: aeroplanes, automobiles, locomotive and other wheeled transport.' Today Alfa Romeo is known for its range of sporty motor-cars. Research Alfa Romeo
Camorra was a well-organized secret society, once spread thoughout all parts of the kingdom of Naples. At one time the Camorristi were all-powerful, levying a kind of blackmail at all markets, fairs, and public gatherings, claiming the right of deciding disputes, hiring themselves out for any criminal service from the passing of contraband goods to assassination. It had central stations in all the large provincial towns, and a regular staff of recruiting officers. Though properly a secret society, it did not find it necessary under the regime of the Bourbons to conceal its operations; but under the later governments of united Italy, the society lost most of its power, except in the wilder parts of Southern Italy. Research Camorra
Carnival is traditionally the feast or season of rejoicing before Lent, observed in Catholic countries with much revelry and merriment. The name comes from Low Latin carnelevamen for carnis levamen, solace of the flesh or body, feasting permitted in anticipation of any fast. Carnival observances declined greatly by 1900, but in some of the cities of Italy, especially Rome, Milan, and Naples, were still a great popular festival, as well as in some parts of Germany and by the later part of the 20th century the greatest carnivals were held in Brazil and the West Indian islands. Some have thought the carnival mainly a survival of the pagan Saturnalia of the Romans, which it much resembles in many of the usages, and in the tricks and mummeries with which it abounds. Research Carnival
Catacombs ( derived from the Greek kata, meaning down, and kumbos, meaning a hollow or recess) are caves or subterranean places for the burial of the dead, the bodies being placed in graves or recesses hollowed out in the sides of the cave. Caves of this kind were common amongst the Phoenicians, Greeks, Persians, and many oriental nations.
In Sicily and Asia Minor numerous excavations have been discovered containing sepulchres, and the catacombs near Naples are remarkably extensive. Those of Rome, however, are the most important. The catacumbae is said to have been originally applied to the district near Rome which contains the chapel of St Sebastian, in the vaults of which, according to tradition, the body of St Peter was first deposited; but (besides its general application) it is now applied in a special way to all the extensive subterranean burial-places in the neighbourhood of Rome, which extend underneath the town itself as well as the neighbouring country, and are said to contain not less than 6,000,000 tombs. They consist of long narrow galleries usually about 2.4 metres high and 1.5 metres wide, which branch off in all directions, forming a perfect maze of corridors. Different stories of galleries lie one below the other. Vertical shafts run up to the outer air, thus introducing light and air, though in small quantity.
The graves or loculi lie longwise in the galleries. They are closed laterally by a slab, on which there is occasionally a brief inscription or a symbol, such as a dove, an anchor, or a palm-branch, and sometimes both. The earliest that can be dated with any certainty belongs to the year 111 AD. It is now regarded as certain that in times of persecution the early Christians frequently took refuge in the catacombs, in order to celebrate there in secret the ceremonies of their religion; but it is not less certain that the catacombs served also as ordinary places of burial to the early Christians, and were for the most part excavated by the Christians themselves.
In early times rich Christians constructed underground burying-places for themselves and their brethren, which they held as private property under the protection of the law. But in course of time, partly by their coming under the control of the church and partly by accidents of proprietorship, these private burying-grounds were connected with each other, and became the property, not of particular individuals, but of the Christian community. In the 3rd century AD there were already several such common burying-places belonging to the Christian congregations, and their number went on increasing until the time of Constantine, when the catacombs ceased to be used as burying-places.
From the time of Constantine down to the 8th century they were used only as places of devotion and worship. But their use as formal places of worship can only have been occasional, for the limited dimensions even of the largest rooms, and the extreme narrowness of the passages, must have made it impossible for any large number to take efficient part in the services at one time. But though the idea of the catacombs as regular places of worship may be carried too far, there is no doubt, from the episcopal chairs, altars, basins, etc, found within them, and from the subjects of the mosaics and carvings on the walls, that the rites of the church, and particularly the eucharist and the sacrament of baptism, were often celebrated there.
They could never have cerved as dwelling-places for any length of time to the Christians, residence in most of them for more than a short time being very dangerous to the health.
During the siege of Rome by the Lombards in the 8th century the catacombs were in part destroyed, and soon became entirely inaccessible, so that they were forgotten, and only the careful and laborious investigations of archaeologists, amongst whom De Rossi (Roma Sotterranea) and Parker (The Catacombs) may be mentioned, have thrown anything like a complete light on the origin and history of the catacombs.
There are extensive catacombs at Paris, consisting of old quarries from which has been obtained much of the material for the building of the city. In them are accumulated bones removed from cemeteries now built over. Research Catacomb
Catgut is a cord made from the intestines of sheep, and sometimes from those of the horse, ass, and mule, but not from those of cats. The manufacture is chiefly carried on in Italy and France by a tedious process. Catgut for stringed instruments, as violins and harps, is made principally in Milan and Naples, the latter having a high reputation for treble strings. Research Catgut
The Congress of Troppau was a conference of representatives of five European powers held at Troppau in October and November 1820. It met at the instigation of Metternich to discuss the affairs of Naples, where a revolution had just taken place. Austria, Russia and Prussia were in favour of intervention, but France and Great Britain disagreed. The only result was a protocol signed by these powers, threatening any state which, as Naples had done, changed the form of government by revolutionary means, with exclusion from the European concert and if other states were disturbed by such proceedings, with armed force. Great Britain alone protested. The conference adjourned to meet at Laibach in 1821. Research Congress of Troppau
Conservatory is a name given on the European continent to a systematic school of musical instruction. In Britain the term is usually applied to foreign schools of music. Conservatories were originally benevolent establishments attached to hospitals, or other charitable or religious institutions. In Naples there were formerly three conservatories for boys; in Venice four for girls; the Neapolitan group being reduced in 1818 to a single establishment under the name Royal College of Music. In Milan a conservatory was established in 1808. In France the musical school established in connection with the Opera received its final organization in 1795 under the name of Conservatoire de Musique. Among its teachers have been Mehul, Cherubini, Gretry, Boieldieu, etc. The Conservatorium, founded at Leipzig in 1842 under the auspices of Mendelssohn has been one of the most highly renowned. Research Conservatory
The holy-alliance was an alliance formed at Paris on September 26th 1815, between the Emperors of Russia and Austria and the King of Prussia. On December 25th 1816 the Emperor of Russia, who was believed to be the real author of the alliance, made its character known publicly. These sovereigns undertook in future to act on the principal of the Gospel, and to support each other's authority. Other sovereigns were invited to join the alliance. The king of England declined the invitation declaring that the constitution of England did not allow him to sign such documents. Ultimately it became apparent that the object of the alliance was to support absolutism against popular aspirations for constitutional government, and when in 1821, the allied sovereigns invited the cooperation of other countries in putting down the revolution at Naples, Lord Castlereagh sent an unfavourable reply. The alliance subsequently interfered in the 19th century Spanish Revolution and then disappeared. Research Holy-Alliance
A nation is a body of people, organised into a single state. One of the most characteristic of the ideas of the Age of the Renaissance was that of the Nation and its sovereign independence - an idea still very active in our own days. The Middle Ages had been dominated by the Catholic ideal of world unity. The great institutions of those ages were international - for example, the Feudal System, and above all the Church and the Papacy. Latin, too, was an international language; and though the various peoples had their own languages, the continual use of Latin in both Church and State affairs helped educated men to regard themselves as members of one society, the society of Christendom. Above all, these peoples - English, French, Spanish, Italian, German - were all members of one Church. All belonged in some measure to the Christendom of which the heads were the Pope and the Emperor. Then, gradually, from the early days of the Renaissance, the newer idea of the 'Nation' took root, and this in time changed the unity of 'Christendom' into the disunion of 'Europe'.
Modern Europe is dominated by national feeling and is divided into independent national states; and these have no longer even the common bond of one Church. Europe has lost as well as gained by the disappearance of medieval Christendom. She has gained, because the old feudal divisions in most countries meant internal disunion, civil warfare, and baronial tyranny. But Europe has also lost, because the old ideal of a united Christendom has disappeared in the jealous rivalries of warring nations. From time to time attempts have been made to check these dangerous rivalries. But the problem of international peace and co-operation - of a 'society of nations' - is one which mankind is still trying to solve in a satisfactory manner. The nations which took the lead in Europe in the sixteenth, seventeenth, and eighteenth centuries were those that first achieved national unity, and the chief of these were France, Spain, and England. Italy, which had given so much to the world in art and letters, did not share in this political change. Great men lived in Italy - in Rome, Florence, Venice, Naples, and Milan - but all these cities were the capitals of small states. In short, Italy was not a nation; hence she became from 1494 the prey of powerful neighbours. As with Italy, so with Germany.
The Holy Roman Empire was an empire only in name; in practice, Germany contained three or four hundred separate States. Both Germany and Italy retained, until even the nineteenth century, their internal divisions and discords. France, Spain, and England had achieved national unity in the fifteenth and sixteenth centuries, whereas Germany and Italy had to wait another three centuries - and some of our problems to-day are due to the fact that they are still comparatively new nations. The means by which national unity was brought about in France, Spain, and England was the monarchy. It was their kings who saved and made these countries - saved them from feudal anarchy and made them into nations. It was monarchs like Henry VII and Henry VIII of England, Louis XI and Francis I of France, and Ferdinand and Isabella of Spain who united their countries under a strong rule, and led them to a great destiny. A Holy Roman Emperor (Maximilian) contrasted the new monarchs with himself as follows: 'The Emperor is indeed a king of kings, for no one feels bound to obey him; and the King of Spain is a king of men, for, though resisted, he is still obeyed; but the King of France is a king of beasts, for him none dare gainsay.' Research Nation
Punchinello is an older form of the name 'Punch' in the Punch and Judy show. Punchinello as a character appears in the Italian 'Comedia dell'Arte' about the beginning of the 17th century, and originated in the neighbourhood of Naples. Traditionally represented with a black mask and a hooked nose, Punchinello is a boastful clown, the hero of ridiculous and rascally exploits, and a character not devoid of wits. The character of Punchinello was transferred to the puppet show, and the French adapted the character as a dwarfish, hunch-back who was the mouth-piece of much raillery and satire. The English Punch character resembles the French puppet version of Punchinello. Research Punchinello
The Probert Encyclopaedia was designed, edited and programed by
Matt and Leela Probert
Abbreviations
Research Alfa Romeo
