Blue is one of the seven colours into which the rays of light divide themselves when refracted through a glassprism, seen in nature in the clear expanse of the heavens; the term is also applied to a dye or pigment of this hue.
The substances used as blue pigments are of very different natures, and derived from various sources; they are all compound bodies, some being natural and others artificial. They are derived almost entirely from the vegetable and mineral kingdoms. The principal blues used in painting are ultramarine, which was originally prepared from lapis-lazuli or azure-stone - a mineral found in China and other oriental countries - but, as now prepared, it is an artificial compound of china-clay, carbonate of soda, sulphur, and charcoal; Prussian or Berlin blue, which is a compound of cyanogen and iron; blue bice, prepared from carbonate of copper; indigo blue, from the indigo plant. Besides these, there are numerous other blues used in art, as blue-verditer, smalt- and cobalt-blue, from cobalt, lacmus or litmus, etc.
Before the discovery of aniline or coal-tar colours dyers chiefly depended for their blues on woad, archil, indigo, and Prussian blue, but now a series of brilliant blues are obtained from coal-tar, possessing great tinctorial power and various degrees of durability.
Blue as a colour ranges from green-blue (turquoise) through to purple-blue (indigo).
Alice blue - A very light greenish-blue colour.
Aquamarine - A bluish-green colour.
Azure - A deep blue colour reminiscent of the sky.
Aquamarine - A pale greenish-blue colour.
Bice blue - A medium blue colour
Cambridge blue - A light blue colour.
Cobalt blue - A deep blue colour with a greenish-tint. The colour of old blue glass.
Byzantine art is the symbolic system which was developed by the early Greek or Byzantine artists out of the Christian symbolism. Byzantine Art arose in South-eastern Europe after Constantine the Great had made Byzantium the capital of the Roman Empire in 330 AD and ornamented that city, which was called after him, with all the treasures of Grecian art.
One of the chief influences in Byzantine art was Christianity, and to a certain extent Byzantine art may be recognized as the endeavour to give expression to the new elements which Christianity had brought into the life of men. The tendency towards Oriental luxuriance and splendour of ornament now quite supplanted the simplicity of ancient taste. Richness of material and decoration was the aim of the artist rather than purity of conception. Yet the classical ideals of art, and in particular the traditions of technical processes and methods carried to Byzantium by the artists of the Western Empire, held their ground long enough, and produced work pure and powerful enough, to kindle the new artistic life which began in Italy with Cimabue and Giotto.
With regard to sculpture the statues no longer displayed the freedom and dignity of ancient art. The true proportion of parts, the correctness of the outlines, and in general
the severe beauty of the naked figure, or of simple drapery in Greek art, were neglected for extravagant costume and ornamentation and petty details. Yet in the best period of Byzantine art, from the 6th to the 11th century, there is considerable spiritual dignity in the general conception of the figures. But sculpture was of second-rate importance at Byzantium, the taste of those times inclining more to mosaic work with the costliness and brilliant colours of its stones.
The first germ of a Christian style of art was developed in the Byzantine pictures. The artists, who appear to have seldom employed the living model, and had nothing real and material before them, but were obliged to find, in their own imaginations, conceptions of the external appearance of sacred persons, such as the mother of Christ or the apostles, could give but feeble renderings of their ideas. As they cared but little for a faithful imitation of nature, but were
satisfied with repeating what was once acknowledged as successful, it is not strange that certain forms, approved by the taste of the time, should be made, by convention, and without regard to truth and beauty, general models of the human figure, and be transmitted as such to succeeding times. In this way the artists in the later periods did not even aim at accuracy of representation, but were contented with stiff general outlines, lavishing their labour on ornamental parts.
Byzantine architecture may be said to have assumed its distinctive features in the church of St Sophia built by Justinian in the 6th century, and still existing as the chief mosque in Constantinople. It is more especially the style associated with the Greek Church as distinguished from the Roman.
The leading forms of the Byzantine style are the round arch, the circle, and in particular the dome. The last is the most conspicuous and characteristic object in Byzantine buildings, and the free and full employment of it was arrived at when by the use of pendentives the architects were enabled to place it on a square apartment instead of a circular or polygonal. In this style of building incrustation, the incrustation of brick with more precious materials, was largely in use. It depended much on colour and surface ornament for its effect, and with this intent mosaics wrought on grounds of gold or of positive colour are profusely introduced, while coloured marbles. and stones of various kinds are greatly made use of. The capitals are of peculiar and original design, the most characteristic being square and tapering downwards, and they are very varied in their decorations.
Byzantine architecture may be divided into an older and a newer (or Neo-Byzantine) style. The most distinctive feature of the latter ia that the dome is raised on a perpendicular circular or polygonal piece of masonry (technically the drum) containing windows for lighting the interior, while in the older style the light was admitted by openings in the dome itself. The Cathedral of Athens is an example of the Neo-Byzantine style.
Catacombs ( derived from the Greek kata, meaning down, and kumbos, meaning a hollow or recess) are caves or subterranean places for the burial of the dead, the bodies being placed in graves or recesses hollowed out in the sides of the cave. Caves of this kind were common amongst the Phoenicians, Greeks, Persians, and many oriental nations.
In Sicily and Asia Minor numerous excavations have been discovered containing sepulchres, and the catacombs near Naples are remarkably extensive. Those of Rome, however, are the most important. The catacumbae is said to have been originally applied to the district near Rome which contains the chapel of St Sebastian, in the vaults of which, according to tradition, the body of St Peter was first deposited; but (besides its general application) it is now applied in a special way to all the extensive subterranean burial-places in the neighbourhood of Rome, which extend underneath the town itself as well as the neighbouring country, and are said to contain not less than 6,000,000 tombs. They consist of long narrow galleries usually about 2.4 metres high and 1.5 metres wide, which branch off in all directions, forming a perfect maze of corridors. Different stories of galleries lie one below the other. Vertical shafts run up to the outer air, thus introducing light and air, though in small quantity.
The graves or loculi lie longwise in the galleries. They are closed laterally by a slab, on which there is occasionally a brief inscription or a symbol, such as a dove, an anchor, or a palm-branch, and sometimes both. The earliest that can be dated with any certainty belongs to the year 111 AD. It is now regarded as certain that in times of persecution the early Christians frequently took refuge in the catacombs, in order to celebrate there in secret the ceremonies of their religion; but it is not less certain that the catacombs served also as ordinary places of burial to the early Christians, and were for the most part excavated by the Christians themselves.
In early times rich Christians constructed underground burying-places for themselves and their brethren, which they held as private property under the protection of the law. But in course of time, partly by their coming under the control of the church and partly by accidents of proprietorship, these private burying-grounds were connected with each other, and became the property, not of particular individuals, but of the Christian community. In the 3rd century AD there were already several such common burying-places belonging to the Christian congregations, and their number went on increasing until the time of Constantine, when the catacombs ceased to be used as burying-places.
From the time of Constantine down to the 8th century they were used only as places of devotion and worship. But their use as formal places of worship can only have been occasional, for the limited dimensions even of the largest rooms, and the extreme narrowness of the passages, must have made it impossible for any large number to take efficient part in the services at one time. But though the idea of the catacombs as regular places of worship may be carried too far, there is no doubt, from the episcopal chairs, altars, basins, etc, found within them, and from the subjects of the mosaics and carvings on the walls, that the rites of the church, and particularly the eucharist and the sacrament of baptism, were often celebrated there.
They could never have cerved as dwelling-places for any length of time to the Christians, residence in most of them for more than a short time being very dangerous to the health.
During the siege of Rome by the Lombards in the 8th century the catacombs were in part destroyed, and soon became entirely inaccessible, so that they were forgotten, and only the careful and laborious investigations of archaeologists, amongst whom De Rossi (Roma Sotterranea) and Parker (The Catacombs) may be mentioned, have thrown anything like a complete light on the origin and history of the catacombs.
There are extensive catacombs at Paris, consisting of old quarries from which has been obtained much of the material for the building of the city. In them are accumulated bones removed from cemeteries now built over. Research Catacomb
Dualism is the philosophical exposition of the nature of things by the hypothesis of two dissimilar primitive principles not derived from each other. Dualism in religion is chiefly confined to the adoption of a belief in two fundamental beings, a good and an evil one, as is done in some oriental religions, especially that of Zoroaster.
In metaphysics, dualism is the doctrine of those who maintain the existence of spirit and matter as distinct substances, in opposition to idealism, which maintains we have no knowledge or assurance of the existence of anything but our own ideas or sensations. Dualism may correspond with realism in maintaining that our ideas of things are true transcripts of the originals, or rather of the qualities inherent in them, the spirit acting as a mirror and reflecting their true images; or it may hold that, although produced by outward objects, we have no assurance that in reality these at all correspond to our ideas of them, or even that they produce the same idea in two different minds. Research Dualism
In literature, fable is a term applied originally to every imaginative tale, but confined in modern use to short stories, either in prose or verse, in which animals and sometimes inanimate things are feigned to act and speak with human interests and passions for the purpose of inculcating a moral lesson in a pleasant and pointed manner. The fable consists properly of two parts - the symbolical representation and the application, or the instruction intended to be deduced from it, which latter is called the moral of the tale, and must be apparent in the fable itself. The oldest fables are supposed to be the oriental; among these the Indian fables of Pilpay or Bidpai, and the fables of the Arabian Lokman, are celebrated. Amongst the Greeks, AEsop is the master of a simple but very effective style of fable. The fables of Phaedrus are a second-rate Latin version of those of AEsop. In modern times Gellert and Lessing among the Germans, Gay among the English, the Spanish Yriarte, and the Russian Ivan Kriloff, are celebrated. The first place, however, amongst modern fabulists belongs to the French writerLa Fontaine. Research Fable
Gesta Romanorum ('Deeds of the Romans'), was the usual title of a collection of short tales, legends, etc, written in Latin, which was very popular during the middle ages. The book was probably written about the close of the 13th century by a certain monk Elinandus, an Englishman or a German. The separate tales making up the Gesta are of very various contents, and belong to different times and countries, the sources from which they are derived being partly classical, partly oriental, and partly western. Whatever may have been the intention of the original compiler, they very soon were adapted to the moralizing tendencies of the time, and moral reflections and allegorical interpretations were added to them, it is said, by a Petrus Bercorius or Pierre Bercaire of Poitou, a Benedictine prior. After the Reformation the book fell into oblivion. Research Gesta Romanorum
Gnostics is a general name applied to early schools of speculators, which combined the fantastic notions of the oriental systems of religion with the ideas of the Greek philosophers and the doctrines of Christianity. They nearly all agreed on the points that God is incomprehensible; that matter is eternal and antagonistic to God; that creation is the work of the Demiurge, an emanation from the Supreme Deity, subordinate or opposed to God; and that the human nature of Christ was a mere deceptive appearance.
Certain forms of Gnosticism are mere adaptations of the Persian dualism to the solution of the problem of good and evil; while the pantheism of India seems to have been a pervading influence in others. Simon the magician (Simon Magus), of whom Luke speaks in the Acts of the Apostles, is generally looked on as the first of the Gnostics.
The dogmas of the earliest Gnostics may be reduced to the following heads: God, the highest intelligence, dwells at an infinite distance from this world, in the Abyss, removed from all connection with every work of temporal creation. He is the source of all good; matter, the crude, chaotic mass of which all things were made, is, like God, eternal, and is the source of all evil. From these two principles, before time commenced, emanated beings called aeons, which are described as divine spirits, inhabiting the Pleroma, or plenitude of light, which
surrounds the Abyss. The world and the human race were created out of matter by one aeon, the Demiurge, or, according to the later systems of the Gnostics, by several aeons and angels. The aeons made the bodies and the sensual soul of man of this matter; hence the origin of evil in man. God gave man the rational soul; hence the constant struggle of reason with sense. What are called gods by men (for instance, Jehovah, the God of the Jews) are merely such aeons or creators, under whose dominion man became more and more wicked and miserable. To destroy the power of these creators, and to free man from the power of matter, God sent the most exalted of all aeons, to which character Simon first made pretensions.
The Nicolaitans mentioned in the Revelation of St John, so called from Nicolas, a deacon of the church at Jerusalem, were one of the earliest sects, and are described as forerunners of the Cerinthians. Cerinthus, a Jew, of whom John the evangelist seems to have had some knowledge, combined such reveries with the doctrines of Christianity, and maintained that the most elevated aeon sent by God for the salvation of man, was Christ, who had descended upon Jesus, a Jew, in the form of a dove, and through him revealed the doctrines of Christianity, but before the crucifixion of Jesus separated from him, and at the resurrection of the dead will again be united with him, and lay the foundation of a kingdom of the most perfect earthly felicity, to continue 1000 years.
Carpocrates and the sect of the Ophites (beginning of the 2nd century), to whom the term Gnostic was first applied, saw in the Serpent a wise and good being, and carried to its extreme form the inversion of the biblical story. The later Gnostics have been divided into three schools. The first was the Syrian, founded by Menander, a pupil of Simon. This school emphasizes the conflict between Good and Evil - the Supreme Deity on the one hand, and the Demiurge and his angels or aeons on the other. The second was the school of Alexandria, represented by Basilides and Valentinus; the system of the latter being the most complete and ingenious of all. In that light or plenitude, which all the Gnostics speak of as surrounding the residence of the Supreme God, he has placed fifteen male and as many female aeons. The Supreme God, the Unbegotten, the Original Father, whom he also calls the Deep (Bathos), is the first of these aeons; Thinking Silence was his wife, and Intelligence, a male, and Truth, a female, were their children. These produced The Word and Life, the latter a female, who gave birth to mankind and society. These eight constituted the first class of the thirty aeons.
The second class, of five couples, at the end of which stood the Only Begotten, and the third, of six couples, at the head of which stood the Comforter, were, in a similar manner, descended from Mankind and Society, and consisted, like the first, of personified ideas. The officers of this heavenly state are four male aeons - Horus, who guards the boundaries of the region of light; Christ and the Holy Ghost, who instruct the other aeons in their duties; and Jesus, whom all the aeons of the kingdom of light begat in common, and endowed with their gifts. Man and the world were formed by a demiurge out of matter which was partly material, partly spiritual, partly soul-like. Christ, the Saviour of men, when he appeared on earth had a visible body made of the spiritual and the soul-like substance only. At his baptism the aeonJesus united itself with him, and instructed mankind.
A third school of Gnosticism, whose centre was Asia Minor, was represented by Marcion of Pontus, the son of a Christian bishop, who lived about the middle of the 2nd century. Marcion assigned to Christianity, as the one absolutely independent religion, a complete isolation from the Old Testament revelation, the author of which was, in his opinion, merely a just but not a good being. The true God begat many spirits, among which were the creator of the world, the righteous God, and the lawgiver of the Jews. The last, through the prophets, promised Christ; but Jesus, who actually appeared, and is the true Redeemer, was the Son of the truly good God, and not the Jewish Messiah.
Towards the end of the 2nd century Tatian, a Syrian Christian, adopted Gnostic doctrines, and founded a sect. Bardesanes, a Syrian, and Hermogenes, an African, who, in the reign of the Emperor Commodus, apostatized from Christianity, and established sects, bordered, in their hypotheses concerning the origin of good and evil, upon Gnosticism. There have been no Gnostic sects since the 5th century; but many of the principles of their system of emanations reappear in later philosophical systems, drawn from the same sources as theirs. Research Gnostics
In the first ages of Christianity numerous churches were founded by the apostles and their successors in Greek-speaking countries; in Greece itself, in Syria, Egypt, Mesopotamia, Asia Minor, Thrace, and Macedonia. These were subsequently called Greek, in contradistinction to the churches, in which the Latintongue prevailed. The removal of the seat of empire by Constantine to Constantinople (Istanbul), and the subsequent separation of the eastern and western empires afforded the opportunity for diversities of language, modes of thinking, and customs to manifest themselves, and added political causes to the grounds of separation. During the earliest period the chief seats of influence in the Eastern Church were Jerusalem, Antioch, and Alexandria, the seat of that mystical philosophy, by which the orientalchurch was distinguished. In 341, soon after the synod of Antioch, the rivalry between the Bishop of -Rome and the Bishop of Constantinople began to assume importance, and before 400 differences of doctrine with respect to the procession of the Holy Spirit appeared. The council of Chalcedon in 451 accorded to the eastern bishop the same honours and privileges in his own diocese as those of the Bishop of Rome, and in 484 each bishop excommunicated the other.
The title of (Ecumenical Patriarch was assumed by John, Bishop of Constantinople, in 588, and in the following year the phrase 'Filioque' ('and the Son') was added by the Latins to the Nicene creed (which now read 'proceeding from the father and the son'), an addition to which the Greek Church was opposed.
In 648 PopeTheodore deposed Patriarch Paul II; but a reconciliation of the churches was effected at the Council of Rome in 680. The doctrines of the Greek Church were defined by John Damascenus in 730. The disruption was hastened by the banishment of Ignatius by Michael the Drunken and the consecration of Photius in 858. The PopeNicholas I and Photius excommunicated each other in 867. The schism was temporarily healed after the death of Photius, but Michael Cerularius reopened it by charging the Latins with heterodoxy. He was excommunicated by Leo IX in 1054, and in turn excommunicated the pope in the same year, since which the Greeks have been severed from the Roman communion, though the Russo-Greek Church was not separated until the 12th century.
The presence of the Crusaders in the East aggravated the quarrel; Latin patriarchates were established in Antioch and Jerusalem, and, though on the capture of Constantinople by the Crusaders a Latin patriarchate was set up there in 1204, the schism was revived there as soon as the Latinempire fell in 1262. .Reunion was proposed in 1273 by Patriarch Joseph, and effected, with the acknowledgment of the pope as primate, at the council of Lyons in 1274. The union, however, was annulled in 1282 by Emperor Andronicus II, and in 1283 and 1285 by synods of Constantinople. It was again effected under John Palasologus at Florence in 1439, but was repudiated in 1443 by the Patriarchs of Alexandria, Antioch, and Jerusalem.
In 1453, when the patriarch fled from the Turks, a schismatic Gregory Scholarius was chosen in his place. In 1575 unsuccessful negotiations were commenced with a view to union with the Lutherans, and in 1723 the English bishops even proposed that the Greek and Anglican churches should unite, a proposal revived by the Archbishop of Moscow in 1866. The claims of the czar in 1853 to the protectorate of the Greek churches in Turkey was one of the causes of the Crimean War.
The Greek Church is the only church which holds that the Holy Ghost proceeds from the Father only; the Roman Catholic and Protestant Churches deriving the Holy Ghost from the Father and the Son. Like the Roman Catholic Church it has seven sacraments - baptism; chrism; penance, preceded by confession; the eucharisfc; ordination;
marriage; and unction. Research Greek Church
The hookah (narghileh) is an Orientalpipe, having the bowl attached to a vase containing water, through which the smoke passes with the purpose of cooling it, before entering a long flexible tube conveying it to the mouthpiece. Research Hookah
Abbreviations
Research Byzantine Art
