A tournament was originally an exhibition of combat between mounted men. Named from the tournament, or quick turning of the horses, it appeared in Europe in the 11th century, and quickly grew in popularity, both in France and England, where, in the reign of Henry II, it became necessary to prohibit tournaments owing to extravagant indulgence in them by the younger nobility. Later, tournaments were allowed to be held under royal licence, und a classic account of one in the time of Richard I is given in the book Ivanhoe, in which the customs and rules of such assemblies are graphically indicated. Froissart is also a mine of information regarding tournaments.
The essential feature of a tournament was the single combat of knight with knight, each striving to unhorse or incapacitate his opponent, the usual weapon being the lance. Sometimes, however, one body of knights fought against another body. They took place on most occasions of rejoicing.
Participation in tournaments was usually reserved for those of noble birth, and about the end of the 13th century a new set of rules was embodied in a statute of arms for tournaments, which laid down, among other provisions, that disputes arising out of a tournament were to be settled by a court of honour composed of princes and earls. By the 16th century the tournament had degenerated until it was merely a form of pageant. The term is now applied to many kinds of athletic contests.
In the 18th century novel Ivanhoe, the author, Walter Scott describes the arena and audience of a fictional 12th century tournament as follows:
On the verge of a wood, which approached to within a mile of the town of Ashby, was an extensive meadow, of the finest and most beautiful green turf, surrounded on one side by the forest, and fringed on the other by straggling oak-trees, some of which had grown to an immense size. The ground, as if fashioned on purpose for the martial display which was intended, sloped gradually down on all sides to a level bottom, which was enclosed for the lists with strong palisades, forming a space of a quarter of a mile in length, and about half as broad. The form of the enclosure was an oblong square, save that the corners were considerably rounded off, in order to afford more convenience for the spectators. The openings for the entry of the combatants were at the northern and southern extremities of the lists, accessible by strong wooden gates, each wide enough to admit two horsemen riding abreast. At each of these portals were stationed two heralds, attended by six trumpets, as many pursuivants, and a strong body of men-at-arms for maintaining order, and ascertaining the quality of the knights who proposed to engage in this martial game.
On a platform beyond the southern entrance, formed by a natural elevation of the ground, were pitched five magnificent pavilions, adorned with pennons of russet and black, the chosen colours of the five knights challengers. The cords of the tents were of the same colour. Before each pavilion was suspended the shield of the knight by whom it was occupied, and beside it stood his squire, quaintly disguised as a salvage or silvan man, or in some other fantastic dress, according to the taste of his master, and the character he was pleased to assume during the game. The central pavilion, as the place of honour, had been assigned to Brian be Bois-Guilbert, whose renown in all games of chivalry, no less than his connexions with the knights who had undertaken this Passage of Arms, had occasioned him to be eagerly received into the company of the challengers, and even adopted as their chief and leader, though he had so recently joined them. On one side of his tent were pitched those of Reginald Front-de-Boeuf and Richard de Malvoisin, and on the other was the pavilion of Hugh de Grantmesnil, a noble baron in the vicinity, whose ancestor had been Lord High Steward of England in the time of the Conqueror, and his son WilliamRufus. Ralph de Vipont, a knight of St John of Jerusalem, who had some ancient possessions at a place called Heather, near Ashby-de-la-Zouche, occupied the fifth pavilion. From the entrance into the lists, a gently sloping passage, ten yards in breadth, led up to the platform on which the tents were pitched. It was strongly secured by a palisade on each side, as was the esplanade in front of the pavilions, and the whole was guarded by men-at-arms. The northern access to the lists terminated in a similar entrance of thirty feet in breadth, at the extremity of which was a large enclosed space for such knights as might be disposed to enter the lists with the challengers, behind which were placed tents containing refreshments of every kind for their
tion, with armourers, tarriers, and other attendants, in readiness to give their services wherever they might be necessary.
The exterior of the lists was in part occupied by temporary galleries, spread with tapestry and carpets, and accommodated with cushions for the convenience of those ladies and nobles who were expected to attend the tournament. A narrow space, betwixt these galleries and the lists, gave accommodation for yeomanry and spectators of a better degree than the mere vulgar, and might be compared to the pit of a theatre. The promiscuous multitude arranged themselves upon large banks of turf prepared for the purpose, which, aided by the natural elevation of the ground, enabled them to overlook the galleries, and obtain a fair view into the lists. Besides the accommodation which these stations afforded, many hundreds had perched themselves on the branches of the trees which surrounded the meadow; and even the steeple of a country church, at some distance, was crowded with spectators.
It only remains to notice respecting the general arrangement, that one gallery in the very centre of the eastern side of the lists, and consequently exactly opposite to the spot where the shock of the combat was to take place, was raised higher than the others, more richly decorated, and graced by a sort of throne and canopy, on which the royal arms were emblazoned. Squires, pages, and yeomen in rich liveries, waited around this place of honour, which was designed for Prince John and his attendants. Opposite to this royal gallery was another, elevated to the same height, on the western side of the lists; and more gaily, if less sumptuously decorated, than that destined for the Prince himself. A train of pages and of young maidens, the most beautiful who could be selected, gaily dressed in fancy habits of green and pink, surrounded a throne decorated in the same colours. Among pennons and flags bearing wounded hearts, burning hearts, bleeding hearts, bows and quivers, and all the commonplace emblems of the triumphs of Cupid, a blazoned inscription informed the spectators, that this seat of honour was designed for 'La Royne de las Beaulte et des Amours'. But who was to represent the Queen of Beauty and of Love on the present occasion no one was prepared to guess.
Meanwhile, spectators of every description thronged forward to occupy their respective stations, and not without many quarrels concerning those which they were entitled to hold. Some of these were settled by the men-at-arms with brief ceremony; the shafts of their battle-axes, and pummels of their swords, being readily employed as arguments to convince the more refractory. Others, which involved the rival claims of more elevated persons, were determined by the heralds, or by the two marshals of the field, William de Wyvil, and Stephen de Martival, who, armed at all points, rode up and down the lists to enforce and preserve good order among the spectators.
Gradually the galleries became filled with knights and nobles, in their robes of peace, whose long and rich-tinted mantles were contrasted with the gayer and more splendid habits of the ladies, who, in a greater proportion than even the men themselves, thronged to witness a sport, which one would have thought too bloody and dangerous to afford their sex much pleasure. The lower and interior space was soon filled by substantial yeomen and burghers, and such of the lesser gentry, as, from modesty, poverty, or dubious title, durst not assume any higher place. It was of course amongst these that the most frequent disputes for precedence occurred.
Walter Scott goes on to describe the rules of the tournament, which he says were imparted to the audience by the monarch:
First, the five challengers were to undertake all comers.
Secondly, any knight proposing to combat, might, if he pleased, select a special antagonist from among the challengers, by touching his shield. If he did so with the reverse of his lance, the trial of skill was made with what were called the arms of courtesy, that is, with lances at whose extremity a piece of round flat board was fixed, so that no danger was encountered, save from the shock of the horses and riders. But if the shield was touched with the sharp end of the lance, the combat was understood to be at 'outrance', that is, the knights were to fight with sharp weapons, as in actual battle.
Thirdly, when the knights present had accomplished their vow, by each of them breaking five lances, the Prince was to declare the victor in the first day's tourney, who should receive as prize a warhorse of exquisite beauty and matchless strength; and in addition to this reward of valour, it was now declared, he should have the peculiar honour of naming the Queen of Love and Beauty, by whom the prize should be given on the ensuing day.
Fourthly, it was announced, that, on the second day, there should be a general tournament, in which all the knights present, who were desirous to win praise, might take part; and being divided into two bands of equal numbers, might fight it out manfully, until the signal was given by Prince John to cease the combat. The elected Queen of Love and Beauty was then to crown the knight whom the Prince should adjudge to have borne himself best in this second day, with a coronet composed of thin gold plate, cut into the shape of a laurel crown. On this second day the knightly games ceased. But on that which was to follow, feats of archery, of bull-baiting, and other popular amusements, were to be practised, for the more immediate amusement of the populace.
At the flourish of clarions and trumpets, they started out against each other at full gallop; and such was the superior dexterity or good fortune of the challengers, that those opposed to Bois-Guilbert, Malvoisin, and Front-de-Boeuf, rolled on the ground. The antagonist of Grantmesnil, instead of bearing his lance-point fair against the crest or the shield of his enemy, swerved so much from the direct line as to break the weapon athwart the person of his opponent - a circumstance which was accounted more disgraceful than that of being actually unhorsed; because the latter might happen from accident, whereas the former evinced awkwardness and want of management of the weapon and of the horse. The fifth knight alone maintained the honour of his party, and parted fairly with the Knight of St John, both splintering their lances without advantage on either side.
The shouts of the multitude, together with the acclamations of the heralds, and the clangour of the trumpets, announced the triumph of the victors and the defeat of the vanquished. The former retreated to their pavilions, and the latter, gathering themselves up as they could, withdrew from the lists in disgrace and dejection, to agree with their victors concerning the redemption of their arms and their horses, which, according to the laws of the tournament, they had forfeited. The fifth of their number alone tarried in the lists long enough to be greeted by the applauses of the spectators, amongst whom he retreated, to the aggravation, doubtless, of his companions' mortification.
During intervals of the tournament it appears that heralds inspired the contestants and audience by announcements and chants inspiring chivalry and bravery such as:
'Love of ladies, splintering of lances! stand forth gallant knights, fair eyes look upon your deeds!' Research Tournament
In fortifications, a palisade or palisado was a row of stakes set firmly in the ground and presenting a sharp point to an advancing army. the stakes were placed vertically at the foot of the slope of the counterscarp, or presented at an angle at the foot of a parapet, or on the banquette of the covered way. Research Palisade
A petard was an engine used for blowing open the gates or effecting a breach in the walls of a city or fortress. It consisted of an iron receptacle in the shape of a half cone, filled with gunpowder. The plank to which it was fastened was attached by hoops to the wall or palisade to be destroyed, a fuse ignited, and the powder left to explode. During the 15th century smaller infantry petards containing inflammable material and explosives were thrown into the faces of the advancing enemy. Soldiers armed with
petards were known as petardiers. Research Petard
The USS Palisade was an American Admirable Class minesweeper of 625 tons displacement launched in 1943. The USS Palisade was powered by diesel engines providing a top speed of 14.5 knots and carried a complement of 104. She was armed with one 3 inch dual-purpose gun and four 40 mm anti-aircraft guns. Research Palisade
A castle (from the Latin castellum, meaning fortress) is an edifice serving at once as a residence and as a place of defence, especially such an edifice belonging to feudal times. Castles differed somewhat at different times and in different places, but they had all several features of similarity. Early castles in Europe followed the basic Saxonburhdesign, ditches surrounding a raised earthen hill (the motte) surmounted with a wooden palisade enclosing a courtyard (called a bailey). The motte supported a wooden, defensive building known as the keep.
Later developments substituted stone for wood and utilised more elaborate defensive architectural detail. After the introduction of gunpowder in the 14th century, castles became less defensible and increases in civil order led to their replacement by unfortified manor houses by the 16th century. Large stone fortifications became popular again in the 18th century, particularly those modelled after the principles of fortification introduced by the French architect Vauban, and were built as late as the first half of the 19th century. In the late 19th century, castle-like buildings were built as residences for the wealthy as part of the Romantic revival in Europe and America.
The first defence of a castle was usually the moat or ditch, that sometimes comprised several acres; and behind it was the outer wall, generally of great height and thickness, strengthened with towers at regular distances, and pierced with loopholes through which missiles could be discharged at the assailants.
The main entrance through the outer wall was protected by the barbican, with its narrow archway, and strong gates and portcullis, and inside there were usually an outer and an inner court, and the strong more or less detached building known as the keep, which formed the residence of the owner and his family. This was the most strongly constructed of all the buildings, to which the defenders retreated only in the last extremity. In English Edwardian castles (so named from Edward III) the solid keep becomes developed into an open quadrangle, defended at the sides and angles by gatehouses and towers, and containing the hall and state apartments ranged along one side of the court. Around this inner court two or three lines of defence are disposed concentrically. Such castles frequently enclose many acres, and present an imposing appearance. The parts of a perfect Edwardian castle are: the inner bailey or inner court; the walls of the enceinte, single, double, or triple; the middle and outer baileys, contained between the walls; the gatehouses and posterns, or small doors in the wall; and the moat or ditch, which was usually filled with water. The walls were all strengthened by towers, either circular, square, rectangular, or multi-angular, projecting both outwards and inwards. Such towers were capable of being defended independently of the castle.
The gatehouses are distinct works covering the entrance; they contain gates, one or two portcullises, and loopholes raking the passage. From the front of these gatehouses the drawbridge was lowered over the ditch. The gateways had frequently a barbican attached. This was a passage between high walls, in advance of the main gate, and having an outer gate of entrance, which was defended by towers and the parapet connected with the main gateway. The top of the wall was defended by a battlemented parapet, and frequently pierced by cruciform loopholes.
Castles were known in Britain prior to the Norman conquest of 1066, but it was the Normans who developed the later and more familiar style of stone castle. The Normans' first castles, over five hundred of them in England, were Motte and Bailey designs made of wood. The first stone castle and the blueprint for further Norman castles was the Tower of London. After the death of William the Conqueror, the Norman lords switched from building a multitude of wooden castles, to instead building a single, large, stronger, more impressive stone castle based upon the Tower of Londondesign.
Outstanding examples of castles are the 12th-century Krak des Chevaliers, Syria (built by crusaders); 13th-century Caernarfon Castle in Wales; and the 15th-century Manzanares el Real in Spain. Research Castle
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Abbreviations
Research Tournament
