Catacombs ( derived from the Greek kata, meaning down, and kumbos, meaning a hollow or recess) are caves or subterranean places for the burial of the dead, the bodies being placed in graves or recesses hollowed out in the sides of the cave. Caves of this kind were common amongst the Phoenicians, Greeks, Persians, and many oriental nations.
In Sicily and Asia Minor numerous excavations have been discovered containing sepulchres, and the catacombs near Naples are remarkably extensive. Those of Rome, however, are the most important. The catacumbae is said to have been originally applied to the district near Rome which contains the chapel of St Sebastian, in the vaults of which, according to tradition, the body of St Peter was first deposited; but (besides its general application) it is now applied in a special way to all the extensive subterranean burial-places in the neighbourhood of Rome, which extend underneath the town itself as well as the neighbouring country, and are said to contain not less than 6,000,000 tombs. They consist of long narrow galleries usually about 2.4 metres high and 1.5 metres wide, which branch off in all directions, forming a perfect maze of corridors. Different stories of galleries lie one below the other. Vertical shafts run up to the outer air, thus introducing light and air, though in small quantity.
The graves or loculi lie longwise in the galleries. They are closed laterally by a slab, on which there is occasionally a brief inscription or a symbol, such as a dove, an anchor, or a palm-branch, and sometimes both. The earliest that can be dated with any certainty belongs to the year 111 AD. It is now regarded as certain that in times of persecution the early Christians frequently took refuge in the catacombs, in order to celebrate there in secret the ceremonies of their religion; but it is not less certain that the catacombs served also as ordinary places of burial to the early Christians, and were for the most part excavated by the Christians themselves.
In early times rich Christians constructed underground burying-places for themselves and their brethren, which they held as private property under the protection of the law. But in course of time, partly by their coming under the control of the church and partly by accidents of proprietorship, these private burying-grounds were connected with each other, and became the property, not of particular individuals, but of the Christian community. In the 3rd century AD there were already several such common burying-places belonging to the Christian congregations, and their number went on increasing until the time of Constantine, when the catacombs ceased to be used as burying-places.
From the time of Constantine down to the 8th century they were used only as places of devotion and worship. But their use as formal places of worship can only have been occasional, for the limited dimensions even of the largest rooms, and the extreme narrowness of the passages, must have made it impossible for any large number to take efficient part in the services at one time. But though the idea of the catacombs as regular places of worship may be carried too far, there is no doubt, from the episcopal chairs, altars, basins, etc, found within them, and from the subjects of the mosaics and carvings on the walls, that the rites of the church, and particularly the eucharist and the sacrament of baptism, were often celebrated there.
They could never have cerved as dwelling-places for any length of time to the Christians, residence in most of them for more than a short time being very dangerous to the health.
During the siege of Rome by the Lombards in the 8th century the catacombs were in part destroyed, and soon became entirely inaccessible, so that they were forgotten, and only the careful and laborious investigations of archaeologists, amongst whom De Rossi (Roma Sotterranea) and Parker (The Catacombs) may be mentioned, have thrown anything like a complete light on the origin and history of the catacombs.
There are extensive catacombs at Paris, consisting of old quarries from which has been obtained much of the material for the building of the city. In them are accumulated bones removed from cemeteries now built over. Research Catacomb
A dray is an ancient form of low cart in which the shafts are elongated to form rails along which a load may be rolled onto the rear of the cart's inclined bed. Research Dray
Lancewood is the timber of certain trees of the genus Guatteria. Coachbuilders used to make the shafts of traps from the main stems of the West Indian tree Guatteria virgata, which was renowned for its strength and elasticity. Research Lancewood
A saddle is a contrivance of wood and leather securely bound with a girth or leather straps to the back of a horse, to serve as a seat for the rider or to carry the weight of the shafts of a vehicle. Other forms of saddle are used for other animals, such as camels and oxen. The seat of a bicycle and motorcycle is also called a saddle. Research Saddle
A tournament was originally an exhibition of combat between mounted men. Named from the tournament, or quick turning of the horses, it appeared in Europe in the 11th century, and quickly grew in popularity, both in France and England, where, in the reign of Henry II, it became necessary to prohibit tournaments owing to extravagant indulgence in them by the younger nobility. Later, tournaments were allowed to be held under royal licence, und a classic account of one in the time of Richard I is given in the book Ivanhoe, in which the customs and rules of such assemblies are graphically indicated. Froissart is also a mine of information regarding tournaments.
The essential feature of a tournament was the single combat of knight with knight, each striving to unhorse or incapacitate his opponent, the usual weapon being the lance. Sometimes, however, one body of knights fought against another body. They took place on most occasions of rejoicing.
Participation in tournaments was usually reserved for those of noble birth, and about the end of the 13th century a new set of rules was embodied in a statute of arms for tournaments, which laid down, among other provisions, that disputes arising out of a tournament were to be settled by a court of honour composed of princes and earls. By the 16th century the tournament had degenerated until it was merely a form of pageant. The term is now applied to many kinds of athletic contests.
In the 18th century novel Ivanhoe, the author, Walter Scott describes the arena and audience of a fictional 12th century tournament as follows:
On the verge of a wood, which approached to within a mile of the town of Ashby, was an extensive meadow, of the finest and most beautiful green turf, surrounded on one side by the forest, and fringed on the other by straggling oak-trees, some of which had grown to an immense size. The ground, as if fashioned on purpose for the martial display which was intended, sloped gradually down on all sides to a level bottom, which was enclosed for the lists with strong palisades, forming a space of a quarter of a mile in length, and about half as broad. The form of the enclosure was an oblong square, save that the corners were considerably rounded off, in order to afford more convenience for the spectators. The openings for the entry of the combatants were at the northern and southern extremities of the lists, accessible by strong wooden gates, each wide enough to admit two horsemen riding abreast. At each of these portals were stationed two heralds, attended by six trumpets, as many pursuivants, and a strong body of men-at-arms for maintaining order, and ascertaining the quality of the knights who proposed to engage in this martial game.
On a platform beyond the southern entrance, formed by a natural elevation of the ground, were pitched five magnificent pavilions, adorned with pennons of russet and black, the chosen colours of the five knights challengers. The cords of the tents were of the same colour. Before each pavilion was suspended the shield of the knight by whom it was occupied, and beside it stood his squire, quaintly disguised as a salvage or silvan man, or in some other fantastic dress, according to the taste of his master, and the character he was pleased to assume during the game. The central pavilion, as the place of honour, had been assigned to Brian be Bois-Guilbert, whose renown in all games of chivalry, no less than his connexions with the knights who had undertaken this Passage of Arms, had occasioned him to be eagerly received into the company of the challengers, and even adopted as their chief and leader, though he had so recently joined them. On one side of his tent were pitched those of Reginald Front-de-Boeuf and Richard de Malvoisin, and on the other was the pavilion of Hugh de Grantmesnil, a noble baron in the vicinity, whose ancestor had been Lord High Steward of England in the time of the Conqueror, and his son WilliamRufus. Ralph de Vipont, a knight of St John of Jerusalem, who had some ancient possessions at a place called Heather, near Ashby-de-la-Zouche, occupied the fifth pavilion. From the entrance into the lists, a gently sloping passage, ten yards in breadth, led up to the platform on which the tents were pitched. It was strongly secured by a palisade on each side, as was the esplanade in front of the pavilions, and the whole was guarded by men-at-arms. The northern access to the lists terminated in a similar entrance of thirty feet in breadth, at the extremity of which was a large enclosed space for such knights as might be disposed to enter the lists with the challengers, behind which were placed tents containing refreshments of every kind for their
tion, with armourers, tarriers, and other attendants, in readiness to give their services wherever they might be necessary.
The exterior of the lists was in part occupied by temporary galleries, spread with tapestry and carpets, and accommodated with cushions for the convenience of those ladies and nobles who were expected to attend the tournament. A narrow space, betwixt these galleries and the lists, gave accommodation for yeomanry and spectators of a better degree than the mere vulgar, and might be compared to the pit of a theatre. The promiscuous multitude arranged themselves upon large banks of turf prepared for the purpose, which, aided by the natural elevation of the ground, enabled them to overlook the galleries, and obtain a fair view into the lists. Besides the accommodation which these stations afforded, many hundreds had perched themselves on the branches of the trees which surrounded the meadow; and even the steeple of a country church, at some distance, was crowded with spectators.
It only remains to notice respecting the general arrangement, that one gallery in the very centre of the eastern side of the lists, and consequently exactly opposite to the spot where the shock of the combat was to take place, was raised higher than the others, more richly decorated, and graced by a sort of throne and canopy, on which the royal arms were emblazoned. Squires, pages, and yeomen in rich liveries, waited around this place of honour, which was designed for Prince John and his attendants. Opposite to this royal gallery was another, elevated to the same height, on the western side of the lists; and more gaily, if less sumptuously decorated, than that destined for the Prince himself. A train of pages and of young maidens, the most beautiful who could be selected, gaily dressed in fancy habits of green and pink, surrounded a throne decorated in the same colours. Among pennons and flags bearing wounded hearts, burning hearts, bleeding hearts, bows and quivers, and all the commonplace emblems of the triumphs of Cupid, a blazoned inscription informed the spectators, that this seat of honour was designed for 'La Royne de las Beaulte et des Amours'. But who was to represent the Queen of Beauty and of Love on the present occasion no one was prepared to guess.
Meanwhile, spectators of every description thronged forward to occupy their respective stations, and not without many quarrels concerning those which they were entitled to hold. Some of these were settled by the men-at-arms with brief ceremony; the shafts of their battle-axes, and pummels of their swords, being readily employed as arguments to convince the more refractory. Others, which involved the rival claims of more elevated persons, were determined by the heralds, or by the two marshals of the field, William de Wyvil, and Stephen de Martival, who, armed at all points, rode up and down the lists to enforce and preserve good order among the spectators.
Gradually the galleries became filled with knights and nobles, in their robes of peace, whose long and rich-tinted mantles were contrasted with the gayer and more splendid habits of the ladies, who, in a greater proportion than even the men themselves, thronged to witness a sport, which one would have thought too bloody and dangerous to afford their sex much pleasure. The lower and interior space was soon filled by substantial yeomen and burghers, and such of the lesser gentry, as, from modesty, poverty, or dubious title, durst not assume any higher place. It was of course amongst these that the most frequent disputes for precedence occurred.
Walter Scott goes on to describe the rules of the tournament, which he says were imparted to the audience by the monarch:
First, the five challengers were to undertake all comers.
Secondly, any knight proposing to combat, might, if he pleased, select a special antagonist from among the challengers, by touching his shield. If he did so with the reverse of his lance, the trial of skill was made with what were called the arms of courtesy, that is, with lances at whose extremity a piece of round flat board was fixed, so that no danger was encountered, save from the shock of the horses and riders. But if the shield was touched with the sharp end of the lance, the combat was understood to be at 'outrance', that is, the knights were to fight with sharp weapons, as in actual battle.
Thirdly, when the knights present had accomplished their vow, by each of them breaking five lances, the Prince was to declare the victor in the first day's tourney, who should receive as prize a warhorse of exquisite beauty and matchless strength; and in addition to this reward of valour, it was now declared, he should have the peculiar honour of naming the Queen of Love and Beauty, by whom the prize should be given on the ensuing day.
Fourthly, it was announced, that, on the second day, there should be a general tournament, in which all the knights present, who were desirous to win praise, might take part; and being divided into two bands of equal numbers, might fight it out manfully, until the signal was given by Prince John to cease the combat. The elected Queen of Love and Beauty was then to crown the knight whom the Prince should adjudge to have borne himself best in this second day, with a coronet composed of thin gold plate, cut into the shape of a laurel crown. On this second day the knightly games ceased. But on that which was to follow, feats of archery, of bull-baiting, and other popular amusements, were to be practised, for the more immediate amusement of the populace.
At the flourish of clarions and trumpets, they started out against each other at full gallop; and such was the superior dexterity or good fortune of the challengers, that those opposed to Bois-Guilbert, Malvoisin, and Front-de-Boeuf, rolled on the ground. The antagonist of Grantmesnil, instead of bearing his lance-point fair against the crest or the shield of his enemy, swerved so much from the direct line as to break the weapon athwart the person of his opponent - a circumstance which was accounted more disgraceful than that of being actually unhorsed; because the latter might happen from accident, whereas the former evinced awkwardness and want of management of the weapon and of the horse. The fifth knight alone maintained the honour of his party, and parted fairly with the Knight of St John, both splintering their lances without advantage on either side.
The shouts of the multitude, together with the acclamations of the heralds, and the clangour of the trumpets, announced the triumph of the victors and the defeat of the vanquished. The former retreated to their pavilions, and the latter, gathering themselves up as they could, withdrew from the lists in disgrace and dejection, to agree with their victors concerning the redemption of their arms and their horses, which, according to the laws of the tournament, they had forfeited. The fifth of their number alone tarried in the lists long enough to be greeted by the applauses of the spectators, amongst whom he retreated, to the aggravation, doubtless, of his companions' mortification.
During intervals of the tournament it appears that heralds inspired the contestants and audience by announcements and chants inspiring chivalry and bravery such as:
'Love of ladies, splintering of lances! stand forth gallant knights, fair eyes look upon your deeds!' Research Tournament
Hickory is several species of timber trees of the genusCarya of the family Juglandeae. They are natives to North America. The wood is heavy, strong and tenacious and was used for making carriage-shafts, screws, whip-handles, cogged wheels, etc. The shag-bark (Caryaalba) yields the hickory-nut of commerce, and its wood is very valuable. Carya olivoeformis yields the pecan-nut. The pig-nut or brown hickory is the Carya glabra, and the swamp hickory is Caryaamara, so called from the bitterness of its nut. Research Hickory
The waxwing (Ampelis garrulus) is a bird of the family Ampelidae which breeds within the Arctic circle, but is a visitor to Britain. It is about twenty centimetres long and has an erectile crest, long pointed wings, and a short tail. The general colour of the plumage is greyish brown, but the head is marked with black and chestnut and the wings and tail are blackish, with yellow and white markings. About eight of the secondary feathers of the wing and in some cases some of the tail feathers have red wax-like tips at the shafts, hence the common name. Waxwings feed on insects and berries and have a trilling song. Research Waxwing
The Wryneck (Iynx) is a genus of birds related to the woodpeckers, but differing from them in the soft tail which has no spiny shafts, and the absence of bristles around the nostrils which are partially covered by a membrane. The plumage is curiously mottled with black, brown, grey and white, much as in the nightjar.
Wrynecks feed upon insects which they find chiefly on the ground. They select a decayed branch or post, in whose cavity the eggs are placed. Research Wryneck
Hair shafts grow from hair follicles situated in the dermis and hypodermis. Every hair consists of a root, the part that lies under the skin, and a shaft, the part that extends from the follicle above the skin. Hair grows on every part of the skin except the palms of the hands and soles of the feet. Hair varies in length, thickness, and colour on different parts of the body and on different people. In some parts of the body, as in the skin of the eyelids, the hairs are so short that they do not to project beyond their follicles and on the face are fine, light sensory hairs called vibrissae. In other parts of the body, as on the scalp, the hair is much longer and thicker. Research Hair Shaft
The Probert Encyclopaedia was designed, edited and programed by
Matt and Leela Probert
Abbreviations
Research Catacomb
