The blind are those who want, or are deficient in, the sense of sight. Blindness may vary in degree from the slightest impairment of vision to total loss of sight; it may also be temporary or permanent. It is caused by defect, disease, or injury to the eye, to the optic nerve, or to that part of the brain connected with it. Old age is sometimes accompanied with blindness, occasioned by the drying up of the humours of the eye, or by the opacity of the cornea, the crystalline lens, etc. The blind are often distinguished for a remarkable mental activity, and a wonderful development of the intellectual powers. Their touch and hearing, particularly, become very acute.
As early as 1260 an asylum for the blind (L'hospice des Quinze-Vingts) was founded in Paris by St Louis for the relief of the Crusaders who lost their sight in Egypt and Syria; but the first institution for the instruction of the blind was the idea of Valentin Hauy, brother of the celebrated mineralogist. In 1784 he opened an institution in which the blind were instructed not only in appropriate mechanical employments, as spinning, knitting, making ropes or fringes, and working in paste-board, but also in music, in reading, writing, ciphering, geography, and the sciences. For instruction in reading he procured raised letters of metal; for writing he used particular writing-cases, in which a frame, with wires to separate the lines, could be fastened upon the paper; for ciphering there were movable figures of metal, and ciphering-boards in which the figures could be fixed; for teaching geographymaps were prepared upon which mountains, rivers, cities, and the boundaries of countries were indicated to the sense of touch in various ways, etc.
Similar institutions were soon afterwards founded in Amsterdam, Berlin, Brussels, Copenhagen, Dresden, Edinburgh, Liverpool, London, Vienna, and in many towns of the United States. By 1900 there were comparatively few large cities that did not possess a school or institution of some kind for the blind.
At the start of the 20th century the attitude towards the blind was rather patronising, and one source may be quoted as saying 'the occupations in which the blind are found capable of engaging are such as the making of baskets and other kinds of wicker-work, brushmaking, rope and twine making, the making of mats and matting, knitting, netting, fancy work of various kinds, cutting fire-wood, the sewing of sacks and bags; the carving of articles in wood, etc'. However, it was also recognised that more skilled tasks could also be performed by blind persons, and the same source notes that 'Piano-tuning is also successfully carried on by some, and the cleaning of clocks and watches has even been occasionally practised by them'.
Around 1900 an impetus was given, in Britain, to the higher education of the blind by the formation of the British and Foreign Blind Association, the establishment of a college for the Blind Sons of Gentlemen at Worcester, and the Royal Normal College and Academy of Music for the Blind, Upper Norwood.
Various systems were devised for the purpose of teaching the blind to read, some of which consisted in the use of the ordinary Roman alphabet, with more or less modification, and some of which employ types quite arbitrary in form. In all systems the characters rise above the surface of the paper so as to be felt by the fingers. The type adopted by Hauy was the script or italic form of the Roman letter. This was introduced into England by Sir C. Lowther, who printed the Gospel of St. Matthew in 1832 with type obtained from Paris. Before this Gall of Edinburgh made use of an embossed alphabet based on the ordinary Roman small letters, in which all curves were replaced by angular lines, and in 1834 he published the Gospel of St John in this character. Subsequently he introduced various improvements, and in particular the letters were produced with serrated surfaces, thus giving greater distinctness. Alston of Glasgow, Howe of Boston, and others also used the Roman form; but the former (who was the first to print the whole Bible, in 1840) adopted the Roman capitals, while the latter adopted the small letters, printing in this type the Bible and many other books. Of alphabets deviating entirely or nearly so from the Roman letter, one consists of a stenographic shorthand invented by Lucas of Bristol; another was a phonetic shorthand devised by Frere of London. In Dr. Moon's alphabet some of the characters are Roman, others are based on or suggested by the Roman characters. The Braille system, widely adopted by the laye 20th century, is one in which the letters are formed by a combination of dots. Dr. Moon's system from its simplicity and the size of its characters is in very general use in books for the blind. There are also systems by which the blind are enabled to write, and the writing may be either in relief so as to be read by the blind, or in characters that may be read by those who see. Research Blind
Shorthand is a system of graphical notation making it possible to record speech at greater speed than by normal writing. Early systems were developed by the Greeks and Romans. Modern shorthand was first developed in England in 1588 by Timothy Bright. Thomas Shelton developed a system employed by Samuel Pepys in 1630. The idea of using sound instead of an alphabet as the basis for a shorthand system was introduced by William Tiffin in 1750. The Pitman system of shorthand, a phonographic system invented by Sir Isaac Pitman, first appeared in 1837 and is widely used today, being quite capable of 250 words a minute. Research Shorthand
Charles Dickens was a 19th century English novelist whose powerful imagery brought to public attention the terrible conditions endured by the poor. He was born in 1812 at Landport, Portsmouth and died in 1870.
His father, John Dickens, was then in the employment of the Navy Pay Department, but subsequently became a newspaper reporter in London. Young Charles Dickens received a somewhat scanty education, was for a time a mere drudge in a blacking warehouse, and subsequently a clerk in an attorney's office. Having perfected himself in shorthand, however, he became a newspapercritic and reporter, was engaged on the Mirror of Parliament and the True Sun, and in 1835 on the Morning Chronicle. For some time previously he had been contributing humorous pieces to the Monthly Magazine; but at length, in 1835, appeared in the Morning Chronicle the first of that series of Sketches by Boz which brought Charles Dickens into fame. It was followed in quick succession by a pamphlet entitled Sunday under Three Heads, by Timothy Spark publsihed in 1836; the Tuggs of Barnsgate published in 1836; The Village Coquette, a comic opera published in 1836; and a farce called the Strange Gentleman published in 1836.
In the same year Chapman and Hall engaged the new writer to prepare the letterpress for a series of comic sketches on sporting subjects by Seymour, an artist who had already achieved fame, and suggested as a subject the adventures of an eccentric club. Seymourcommitted suicide soon after, and H K Browne joined Charles Dickens as illustrator, the result being the immortal Pickwick Papers.
The great characteristics of Charles Dickens' genius were now fully apparent, and his fame rose at once to the highest point it was possible for a writer of fiction to reach. A new class of characters, eccentric indeed, but vital representations of the humours and oddities of life, such as Mr. Pickwick, Sam Weller and his father, Mr. Winkle, and others, were made familiar to the public. Under the name of the Posthumous Papers of the Pickwick Club this work was published in two volumes in 1837.
In the same year Charles Dickens was engaged as editor of Bentley's Magazine, to which he contributed Oliver Twist, a work which opened up that vein of philanthropic pathos and indignant satire of institutions which became a distinguishing feature of his works. Before the completion of Oliver Twist, Nicholas Nickleby was begun, being issued complete in 1839. As the special object of Oliver Twist was to expose the conduct of workhouses, that of Nicholas Nickleby was to denounce the management of cheap boarding-schools.
Master Humphrey's Clock, issued in weekly numbers, contained among other matter two other leading tales, The Old Curiosity Shop, and Barnaby Rudge, the latter a historical tale, going back to the times of the Gordon riots. It was published complete in 1840-41. In 1841 Dickens visited America, and on his return he wrote American Notes for General Circulation published in 1842.
His next novel, Martin Chuzzlewit published in 1844, dwelt again on his American experiences. This work also added a number of typical figures - Mr. Pecksniff, Mark Tapley, Sarah Gamp, and others - to English literature. The series of Christmas Tales, in which a new element of his genius, the power of handling the wierd machinery of ghostly legend in subordination to his own peculiar humour, excited a new sensation of wonder and delight. These enumerated consecutively were: A Christmas Carol published in 1843, The Chimes published in 1844, The Cricket on the Hearth published in 1845), The Battle of Life published in 1846, The Haunted Man and the Ghost's Bargain published in 1847. The extraordinary popularity of these tales created for a time a new department in literature, that of the Sensational tale for the Christmas season.
In 1845 Charles Dickens went to Italy, and on his return the Daily News, started on the 1st of January, 1846, was intrusted to his editorial management; but, despite his early training, this was an occupation uncongenial to his mind, and in a few months the experiment was abandoned. His Pictures from Italy were published the same year. Next followed his novel of Dombey and Son published in 1848), and David Copperfield, a work which has a strong autobiographical element in it published in 1849-50.
In 1850 Charles Dickens became editor of the weekly serial Household Words, in which various original contributions from his own pen appeared. In 1853 his Bleak House came out. A Child's History of England, commenced in Household Words, was published in 1852-64. Hard Times appeared in Household Words, and was published in 1854. Little Dorrit, commenced in 1856, dealt with imprisonment for debt, the contrasts of character developed by wealth and poverty, and executive imbecility, idealized in the Circumlocution Office. In 1859, in consequence of a disagreement with his publishers, All the Year Round superseded Household Words; and in the first number of this periodical, 28th May, was begun A Tale of Two Cities. Great Expectations followed in the same paper, on the 1st of December, 1860. Both were soon. republished, and are generally considered as the poorest of Charles Dickens' works.
In All the Year Round also appeared a series of disconnected sketches, called the Uncommercial Traveller, published in 1868. Our Mutual Friend, completed in 1865, and published in the usual monthly numbers, with illustrations by Marcus Stone, was the last great serial work which Charles Dickens lived to finish. It contained some studies of characters of a breadth and depth unusual with Charles Dickens, and is distinguished among his works by its elaborate plot. The first number of his last work, The Mystery of Edwin Drood, was issued on the 1st of April, 1870, and only three numbers had appeared when he died somewhat suddenly, at his residence, Gad's Hill Place, near Rochester, on the 9th of June. He had considerably overtaxed his strength during his later years, more especially by his successive series of public readings from bis own works, one series being delivered in America in 1867-68. He was buried in Westminster Abbey.
Charles Dickens' work as a novelist is firmly based upon a wide and keen observation of men. It is true that most of his characters suffer from being created to exhibit little more than one trait or quality alone, and thus receive an air of grotesqueness and exaggeration which approaches caricature. But the single trait or quality which they embody is so truly conceived, and exhibited with such vitality and humour, as to place Charles Dickens, in spite of all that is grotesque and overstrained in his work, amongst the great artists. Research Charles Dickens
John Byrom was an English poet and stenographer. He was born in 1692 and died in 1763. He was educated at MerchantTaylors' School and Trinity College, Cambridge, and for some time studied medicine, but his chief means of livelihood for many years, until he inherited the family estates in 1740, was teaching shorthand on a system he invented himself. Research John Byrom
Samuel Pepys was an English civil servant and staunchRoyalist, renowned for his diary. He was born in 1633 at London and died in 1703. He entered the navy office in 1660, a few months after starting his diary. He was appointed secretary to the Admiralty in 1672, imprisoned in the tower of London with loss of office in 1679 on suspicion of being connected with the Popish Plot - no formal charges were ever brought against him, he was reinstated in 1684, and finally deprived at the 1688 Revolution when he retired to Clapham. His diary was discontinued in 1669 as he thought his sight was failing, and was written in a personal version of Shelton's shorthand, and was not deciphered until 1825 - and then only transcribed in a censored edition. In 1970 his diary, all twelve volumes and 1.3 million words was finally transcribed in its entirety. His diary is unrivalled for its intimacy and the human picture it presents of daily life in the 17th century, much of which is disturbing by modern standards, Pepys having no qualms about recording details of the executions he witnessed, and the adulterous affairs that appear to have been the norm. Research Samuel Pepys
A stenotype is a small, light easily portable machine somewhat resembling a typewriter used for stenotypy. The speed attainable with the machine far exceeds that possible in any of the written systems of shorthand. Research Stenotype
The Probert Encyclopaedia was designed, edited and programed by
Matt and Leela Probert
Abbreviations
Research Blind
