MacroMind Director gives users with artistic talent the power of a production department at their desk. The product lets you combine and manipulate text, graphics, animation, and video. These elements can be synchronised with music and sound effects for on-screen presentations, video productions, product prototypes, and the simulation of complex processes and concepts. The product provides several features that allow you to make impressive productions quickly. However, creating your own animations and special effects takes some time.
MacroMind Director is made up of two major parts, Overview and Studio. Like the director of a movie, Overview controls the sequence and timing of a presentation-up to 30 frames per second. You create a document that references a group of other documents that will be part of the presentation. Overview makes sure that all the documents are available and make it to the screen on time, stay on- screen for as long as needed, get off the screen, and remain ready, if necessary, for a later appearance. Studio offers the tools needed to create multimedia presentations. Included is a comprehensive painting program, image import functions, and animation commands that control image positioning, sequence, the relationship of images to each other on the screen, and sound effects. The Auto Animate feature provides quickaccess to several animated text effects where text can be entered and choices can be made about the type of effect, tempo, and colour. The Transitions feature provides a number of precreated methods to move from one image to another
including dissolves, reveals, wipes, and pushes. Both of these features quickly add professional-looking effects to presentations. MacroMind Player is a run-time version of Director which allows a presentation to be distributed to other users, even if they do not have Director on their Macintosh. Research MacroMind Director
Maestoso is a term used in musical notation. When used as part of a tempo marking, for example allegro maestoso, it modifies it, directing the performer to maintain a dignified character. Research Maestoso
In music, time is the measurement based on the periodicity of the accents, and classified according to the subdivision of the beats. It is not the same as tempo. The instinctive desire for rhythm and proportion, which is as evident in music as it is in verse, gives rise to regularity of accent. If the accent occurs on every other beat, the time is duple; if one in three, then it is triple; and if once in four, it is quadruple. A bar-line is drawn through the stave or staves immediately before the accented beat, and hence it is commonly said that the accent falls on the first of the bar. If each of the beats is divisible into two lesser values, the time is simple; if divisible into three (the beat being dotted), it is compound.
The Probert Encyclopaedia was designed, edited and programed by
Matt and Leela Probert
Abbreviations
Research MacroMind Director
