The Bannatyne Club was a literary society which was instituted in Edinburgh in 1823 by Sir Walter Scott who was its first president, David Laing , who was club secretary until its dissolution in 1865, Archibald Constable, and Thomas Thomson. It started with thirty-one members, subsequently extended to 100, having as its object the printing of rare works on Scotch history, literature, geography, etc. It derived its name from George Bannatyne the 16th century collector of the famous manuscripts of early Scottish poetry. Research Bannatyne Club
Handfasting is a provisional or temporary marriage signified by joining hands. It was quite common in Scotland and is described by Sir Walter Scott how Bordermen handfasted their mates for a year and a day before either choosing another partner, or asking the priest to marry them. Research Handfasting
The Sadler Papers are a collection of dispatches written by Sir Ralph Sadler, and sent from Scotland where he was working as a diplomat. The dispatches were edited by Sir Walter Scott in 1809, and provide a useful source of contemporary information on Scottish affairs during the reign of Queen Mary and the early years of the reign of James VI. Research Sadler Papers
Tales of a Grandfather is a series of stories on Scottish and French history, inspired by J W Crocker's Stories for Children from English History, published in 1817, and written by Sir Walter Scott for his grandson, John Lochkart, and published between 1828 and 1830. Research Tales of a Grandfather
A tournament was originally an exhibition of combat between mounted men. Named from the tournament, or quick turning of the horses, it appeared in Europe in the 11th century, and quickly grew in popularity, both in France and England, where, in the reign of Henry II, it became necessary to prohibit tournaments owing to extravagant indulgence in them by the younger nobility. Later, tournaments were allowed to be held under royal licence, und a classic account of one in the time of Richard I is given in the book Ivanhoe, in which the customs and rules of such assemblies are graphically indicated. Froissart is also a mine of information regarding tournaments.
The essential feature of a tournament was the single combat of knight with knight, each striving to unhorse or incapacitate his opponent, the usual weapon being the lance. Sometimes, however, one body of knights fought against another body. They took place on most occasions of rejoicing.
Participation in tournaments was usually reserved for those of noble birth, and about the end of the 13th century a new set of rules was embodied in a statute of arms for tournaments, which laid down, among other provisions, that disputes arising out of a tournament were to be settled by a court of honour composed of princes and earls. By the 16th century the tournament had degenerated until it was merely a form of pageant. The term is now applied to many kinds of athletic contests.
In the 18th century novel Ivanhoe, the author, Walter Scott describes the arena and audience of a fictional 12th century tournament as follows:
On the verge of a wood, which approached to within a mile of the town of Ashby, was an extensive meadow, of the finest and most beautiful green turf, surrounded on one side by the forest, and fringed on the other by straggling oak-trees, some of which had grown to an immense size. The ground, as if fashioned on purpose for the martial display which was intended, sloped gradually down on all sides to a level bottom, which was enclosed for the lists with strong palisades, forming a space of a quarter of a mile in length, and about half as broad. The form of the enclosure was an oblong square, save that the corners were considerably rounded off, in order to afford more convenience for the spectators. The openings for the entry of the combatants were at the northern and southern extremities of the lists, accessible by strong wooden gates, each wide enough to admit two horsemen riding abreast. At each of these portals were stationed two heralds, attended by six trumpets, as many pursuivants, and a strong body of men-at-arms for maintaining order, and ascertaining the quality of the knights who proposed to engage in this martial game.
On a platform beyond the southern entrance, formed by a natural elevation of the ground, were pitched five magnificent pavilions, adorned with pennons of russet and black, the chosen colours of the five knights challengers. The cords of the tents were of the same colour. Before each pavilion was suspended the shield of the knight by whom it was occupied, and beside it stood his squire, quaintly disguised as a salvage or silvan man, or in some other fantastic dress, according to the taste of his master, and the character he was pleased to assume during the game. The central pavilion, as the place of honour, had been assigned to Brian be Bois-Guilbert, whose renown in all games of chivalry, no less than his connexions with the knights who had undertaken this Passage of Arms, had occasioned him to be eagerly received into the company of the challengers, and even adopted as their chief and leader, though he had so recently joined them. On one side of his tent were pitched those of Reginald Front-de-Boeuf and Richard de Malvoisin, and on the other was the pavilion of Hugh de Grantmesnil, a noble baron in the vicinity, whose ancestor had been Lord High Steward of England in the time of the Conqueror, and his son WilliamRufus. Ralph de Vipont, a knight of St John of Jerusalem, who had some ancient possessions at a place called Heather, near Ashby-de-la-Zouche, occupied the fifth pavilion. From the entrance into the lists, a gently sloping passage, ten yards in breadth, led up to the platform on which the tents were pitched. It was strongly secured by a palisade on each side, as was the esplanade in front of the pavilions, and the whole was guarded by men-at-arms. The northern access to the lists terminated in a similar entrance of thirty feet in breadth, at the extremity of which was a large enclosed space for such knights as might be disposed to enter the lists with the challengers, behind which were placed tents containing refreshments of every kind for their
tion, with armourers, tarriers, and other attendants, in readiness to give their services wherever they might be necessary.
The exterior of the lists was in part occupied by temporary galleries, spread with tapestry and carpets, and accommodated with cushions for the convenience of those ladies and nobles who were expected to attend the tournament. A narrow space, betwixt these galleries and the lists, gave accommodation for yeomanry and spectators of a better degree than the mere vulgar, and might be compared to the pit of a theatre. The promiscuous multitude arranged themselves upon large banks of turf prepared for the purpose, which, aided by the natural elevation of the ground, enabled them to overlook the galleries, and obtain a fair view into the lists. Besides the accommodation which these stations afforded, many hundreds had perched themselves on the branches of the trees which surrounded the meadow; and even the steeple of a country church, at some distance, was crowded with spectators.
It only remains to notice respecting the general arrangement, that one gallery in the very centre of the eastern side of the lists, and consequently exactly opposite to the spot where the shock of the combat was to take place, was raised higher than the others, more richly decorated, and graced by a sort of throne and canopy, on which the royal arms were emblazoned. Squires, pages, and yeomen in rich liveries, waited around this place of honour, which was designed for Prince John and his attendants. Opposite to this royal gallery was another, elevated to the same height, on the western side of the lists; and more gaily, if less sumptuously decorated, than that destined for the Prince himself. A train of pages and of young maidens, the most beautiful who could be selected, gaily dressed in fancy habits of green and pink, surrounded a throne decorated in the same colours. Among pennons and flags bearing wounded hearts, burning hearts, bleeding hearts, bows and quivers, and all the commonplace emblems of the triumphs of Cupid, a blazoned inscription informed the spectators, that this seat of honour was designed for 'La Royne de las Beaulte et des Amours'. But who was to represent the Queen of Beauty and of Love on the present occasion no one was prepared to guess.
Meanwhile, spectators of every description thronged forward to occupy their respective stations, and not without many quarrels concerning those which they were entitled to hold. Some of these were settled by the men-at-arms with brief ceremony; the shafts of their battle-axes, and pummels of their swords, being readily employed as arguments to convince the more refractory. Others, which involved the rival claims of more elevated persons, were determined by the heralds, or by the two marshals of the field, William de Wyvil, and Stephen de Martival, who, armed at all points, rode up and down the lists to enforce and preserve good order among the spectators.
Gradually the galleries became filled with knights and nobles, in their robes of peace, whose long and rich-tinted mantles were contrasted with the gayer and more splendid habits of the ladies, who, in a greater proportion than even the men themselves, thronged to witness a sport, which one would have thought too bloody and dangerous to afford their sex much pleasure. The lower and interior space was soon filled by substantial yeomen and burghers, and such of the lesser gentry, as, from modesty, poverty, or dubious title, durst not assume any higher place. It was of course amongst these that the most frequent disputes for precedence occurred.
Walter Scott goes on to describe the rules of the tournament, which he says were imparted to the audience by the monarch:
First, the five challengers were to undertake all comers.
Secondly, any knight proposing to combat, might, if he pleased, select a special antagonist from among the challengers, by touching his shield. If he did so with the reverse of his lance, the trial of skill was made with what were called the arms of courtesy, that is, with lances at whose extremity a piece of round flat board was fixed, so that no danger was encountered, save from the shock of the horses and riders. But if the shield was touched with the sharp end of the lance, the combat was understood to be at 'outrance', that is, the knights were to fight with sharp weapons, as in actual battle.
Thirdly, when the knights present had accomplished their vow, by each of them breaking five lances, the Prince was to declare the victor in the first day's tourney, who should receive as prize a warhorse of exquisite beauty and matchless strength; and in addition to this reward of valour, it was now declared, he should have the peculiar honour of naming the Queen of Love and Beauty, by whom the prize should be given on the ensuing day.
Fourthly, it was announced, that, on the second day, there should be a general tournament, in which all the knights present, who were desirous to win praise, might take part; and being divided into two bands of equal numbers, might fight it out manfully, until the signal was given by Prince John to cease the combat. The elected Queen of Love and Beauty was then to crown the knight whom the Prince should adjudge to have borne himself best in this second day, with a coronet composed of thin gold plate, cut into the shape of a laurel crown. On this second day the knightly games ceased. But on that which was to follow, feats of archery, of bull-baiting, and other popular amusements, were to be practised, for the more immediate amusement of the populace.
At the flourish of clarions and trumpets, they started out against each other at full gallop; and such was the superior dexterity or good fortune of the challengers, that those opposed to Bois-Guilbert, Malvoisin, and Front-de-Boeuf, rolled on the ground. The antagonist of Grantmesnil, instead of bearing his lance-point fair against the crest or the shield of his enemy, swerved so much from the direct line as to break the weapon athwart the person of his opponent - a circumstance which was accounted more disgraceful than that of being actually unhorsed; because the latter might happen from accident, whereas the former evinced awkwardness and want of management of the weapon and of the horse. The fifth knight alone maintained the honour of his party, and parted fairly with the Knight of St John, both splintering their lances without advantage on either side.
The shouts of the multitude, together with the acclamations of the heralds, and the clangour of the trumpets, announced the triumph of the victors and the defeat of the vanquished. The former retreated to their pavilions, and the latter, gathering themselves up as they could, withdrew from the lists in disgrace and dejection, to agree with their victors concerning the redemption of their arms and their horses, which, according to the laws of the tournament, they had forfeited. The fifth of their number alone tarried in the lists long enough to be greeted by the applauses of the spectators, amongst whom he retreated, to the aggravation, doubtless, of his companions' mortification.
During intervals of the tournament it appears that heralds inspired the contestants and audience by announcements and chants inspiring chivalry and bravery such as:
'Love of ladies, splintering of lances! stand forth gallant knights, fair eyes look upon your deeds!' Research Tournament
The Dandie Dinmont is a breed of terrier that originated in the Scottish border country for hunting badgers and otters. It is about 25 centimetres tall, short-legged and long-bodied, with drooping ears and a long tail. Its hair, about five centimetres long, can be greyish or yellowish. It is named after the character Dandie Dinmont in Walter Scott's novel Guy Mannering. Research Dandie Dinmont
Anna Comnena was the daughter of Alexius Comnenus I, Byzantine emperor. She was born in 1083 and died in 1148. After her father's death she endeavoured to secure the succession to her husband, Nicephorus Briennius, but was baffled by his want of energy and ambition. She wrote (in Greek) a life of her father Alexius, which, in the midst of much fulsome panegyric, contains some valuable and interesting information. She forms a character in Sir Walter Scott's Count Robert of Paris. Research Anna Comnena
Archibald Constable was a Scottish bookseller and publisher. He was born in 1774 and died in 1827. He was the original publisher of the Edinburgh Review, the poems of Sir Walter Scott, the Waverley Novels, the Supplement to the Encyclopaedia Britannica, and other valuable works. In 1825 he projected the well-known series of works, Constable's Miscellany. In 1826, however, the firm was compelled to stop payment with liabilities exceeding 250,000 pounds. Sir Walter Scott, who was heavily involved, practically sacrificed his life in the endeavour to meet his creditors, and Constable himself died in 1827. Research Archibald Constable
Buccleugh is the title (now a dukedom) of one of the oldest families in Scotland, tracing descent from Sir Richard Le Scott in the reign of Alexander III (the latter half of the 13th century), and first becoming conspicuous in the person of the border chieftain Sir Walter Scott of Branxholm and Buccleugh - the latter an estate in Selkirkshire. The son of Sir Walter, bearing the same name, was for his valour and services raised to the peerage in 1606 . as Lord Scott of Buccleugh, and his successor was made an earl in 1619. In 1663 the titles and estates devolved upon Anne, daughter of the second earl, who married the Duke of Monmouth, illegitimate son of Charles II, the pair in 1673 being created Duke and Duchess of Buccleugh, etc. Subsequently the Dukedom of Queensberry passed by marriage into the family. Research Buccleugh
George Ellis was an English man of letters. He was born in 1753 and died in 1815. Educated at Westminster School and Trinity College, Cambridge, he was one of the junta of wits concerned in the well-known political satire, The Rolliad, contributed to the Anti-Jacobin, wrote a preface, notes, and appendix to Way's translation of Le Grand's Fabliaux, and published Specimens of the Early English Poets, with an Historical Sketch (1790), and Specimens of Early English Metrical Romances (1805). He was an intimate friend of Sir Walter Scott. Research George Ellis
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Abbreviations
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